Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1609 ms. The Metropolitan Museum of Art, Collection API (Open Access)
312 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 129 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3, from "Livre des Ouvrages d'Orfevrerie"
Louis Cossin (d. 1704)
1663 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arch and Panels to Use with Carriages and Other Ornaments (Ceintre et Paneaux pour servir a des Carosse et autres ornemens), Plate 3
Georges Charmeton (d. 1674)
ca. 1670–76 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Porte Cochere, from Book of Portes Cocheres and Church Doors (Livre de Porte Cochere, et Porte d'Église...), Plate 3
G. Feuillet (d. 1675)
ca. 1675 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Divers Ornemens de feuillages en forme de Panneaux a l'Usage de Ceux qui excercent le Dessein, Plate 3
Paul Androuet Ducerceau (d. 1710)
late 17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornemens d'Orfevrerie Propres pour Flenques et Emailler. Cinq Desseins de Boëstes de Miroirs faits pour les Ambassadeurs de Siam, Plate 3
Paul Androuet Ducerceau (d. 1710)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 1, from "Ornemens d'Orfevrerie" (Gold- and Silverware Ornaments)
Paul Androuet Ducerceau (d. 1710)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3, from "Ornemens d'Orfevrerie" (Gold- and Silverware Ornaments)
Paul Androuet Ducerceau (d. 1710)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Musique, plate 3 from "Industrie des Enfants"
Paul Gavarni [Chevalier] (d. 1866)
October 13, 1839 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Mercredi l'ou peint sa flamme, plate 3 from "Un Couplet de Vaudeville"
Paul Gavarni [Chevalier] (d. 1866)
July 10, 1839 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vous reverrai-je?, plate 3 from Fourberies de Femmes, published in "Le Charivari"
Paul Gavarni [Chevalier] (d. 1866)
November 6, 1840 · Lithograph; second state of three (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mur Mitoyen (The Party Wall), plate 3 from "Amours"
Paul Gavarni [Chevalier] (d. 1866)
19th century · Lithograph; second state of three (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fleurs (Flowers), Plate 3
Serge Gladky (d. 1939)
1929 · Pochoir
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.