
Standing boy
Andrea Mantegna (d. 1506)
late 15th–early 16th century · Bronze, silver inlay (eyes), on a later porphyry and ormolu base
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
286 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Standing boy
Andrea Mantegna (d. 1506)
late 15th–early 16th century · Bronze, silver inlay (eyes), on a later porphyry and ormolu base
Cleared · Public Domain
live
Atreus Farnese, from "Speculum Romanae Magnificentiae"
Cornelis Cort (d. 1578)
1574 · Engraving
Cleared · Public Domain
live
Atreus Farnese, from "Speculum Romanae Magnificentiae"
Anonymous
1574 · Engraving
Cleared · Public Domain
live
Atreus Farnese, from "Speculum Romanae Magnificentiae"
Anonymous
late 16th century · Engraving
Cleared · Public Domain
live
Plate 3: Boy with a hat touching the face of a girl, from "Icones ad vivum expressae"
Giovanni Cattini (d. 1800)
1743 · Etching
Cleared · Public Domain
live
Plate
Villeroy (d. 1748)
ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels
Cleared · Public Domain
live
Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock
James Cox (d. 1800)
1766 · Case: gold with diamonds and paste jewels set in silver, pearls; Dial: white enamel; Movement: partly gilded brass and steel, wheel balance and cock of silver set with paste jewels
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twelve Grotesque Figures (Months of the Year), Plate 12 (November)
Denis Boutemie (d. 1636)
ca. 1638 · Etching, state 1 of 3
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twelve Grotesque Figures (Months of the Year), Plate 4 (May)
Denis Boutemie (d. 1636)
ca. 1638 · Etching, state 1 of 3
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Jabez Hogg (d. 1899)
1886–91 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costumes Parisiens 95: Robe de linon rayé avec petite veste de faille souple
Armand Vallée (d. 1960)
1913 · plates: hand colored engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.