Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
749 ms. The Metropolitan Museum of Art, Collection API (Open Access)
579 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 114 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Plate 3: equestrian statue of Tiberius, in profile to the left, with a naval landscape on pedestal below, from 'Roman Emperors on Horseback'
Adriaen Collaert (d. 1618)
ca. 1587–89 · Engraving, squared in graphite
Cleared · Public Domain
live
Plate 6: equestrian statue of Nero, seen from behind, the Great Fire of Rome in the background, from 'Roman Emperors on Horseback'
Adriaen Collaert (d. 1618)
ca. 1587–89 · Engraving, squared in graphite
Cleared · Public Domain
live
Plate 3: Emperor Tiberius on Horseback, from "The First Twelve Roman Caesars"
Antonio Tempesta (d. 1630)
1596 · Etching; first state of two (Bartsch)
Cleared · Public Domain
live
La Place Royale, equestrian statue of Louis XIII in profile facing the left in center, various horsemen and figures in background, plate 3 from "Various Figures" (Agréable diversité de figures)
Stefano della Bella (d. 1664)
1642 · Etching; undescribed state between second and third of five (De Vesme)
Cleared · Public Domain
live
Plate 3: La Place Royale, equestrian statue of Louis XIII in profile facing the left in center, various horsemen and figures in background, from "Various Figures" (Agréable diversité de figures)
Stefano della Bella (d. 1664)
1642 · Etching; undescribed state between second and third of five
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Equestrian statue of Marcus Aurelius in profile
Marcantonio Raimondi (d. 1534)
ca. 1500–1534 · Engraving; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of The Statue of Jupiter at Olympia, from The Eight Wonders of the World, plate 3
Philips Galle (d. 1612)
1572 · Engraving, copy (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Statue of Jupiter at Olympia, from The Eight Wonders of the World, plate 3
Philips Galle (d. 1612)
1572 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tiberius, in an oval crowned by a vase with fruits under a canopy, plate 3 from "XII Caesarum Romanorum Imagines"
Hans Vredeman de Vries (d. 1606)
1603 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3: Portrait of Tiberius, from "The Emperors and Empresses of Rome"
Aegidius Sadeler II (d. 1629)
1597–1627 · Etching and engraving; second state of three (TIB)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3, from "Livre D'architecture de Porte et Cheminees"
D. Antoine Pierretz (d. 1700)
ca. 1647 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Triumphal Arch with Three Passageways and an Equestrian Statue on a Pedestal Above the Central Opening, from Desseins d'Arc de Triomphe, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.