Frieze with Sea Monsters
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
243 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
287 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 246 matching records exist across the two collections.
Results for "Plate 3: frieze with a dolphin at left,"12 records
Institutions answered newest-first by record, interleaved
Neptune with a dolphin
Gian Lorenzo Bernini (d. 1680)
late 17th century or early 18th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Armorial Trophies marked by the incorporation of a Lion's Head and Dolphin Motifs, plate 3 from "Libro de' Trofei"
Anonymous, Italian, 16th century (d. 1600)
ca. 1550–53 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 2: frieze with nereids, putti with wreaths, and a ichthyocentaur holding a basket of fruit, a dolphin at right
Odoardo Fialetti (d. 1638)
1590–1627 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3: frieze with a dolphin at left, nereids and a triton at center, and a putto riding a goat at right
Odoardo Fialetti (d. 1638)
1590–1627 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5: frieze with nereids, a triton, and a ichthyocentaur, with a nereid seated on a dolphin at right
Odoardo Fialetti (d. 1638)
1590–1627 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6: frieze with putti on a dolphin at left, a centaur stops a sea-horse at center, and a satyr at right holds a nereid in his arms
Odoardo Fialetti (d. 1638)
1590–1627 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a bedroom with two figures at left, from Alcôves à la française, plate 3
Jean Le Pautre (d. 1682)
published 1678 · Etching; first state of two (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at the bottom ornamented with a putti and a dolphin, from Différents morceaux d'ornements à la romaine, plate 5, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at top with putti and a lion, from Frises et différents ornements à l'italienne, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Vessels, ornaments, etc.], Plate 3
Jean Bernard Toro (d. 1731)
before 1731 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountains, Plate 5
Charles Hutin (d. 1776)
1764 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.