
Plate with David Anointed by Samuel
Unrecorded maker
629–630 · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1003 ms. The Metropolitan Museum of Art, Collection API (Open Access)
312 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 124 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate with David Anointed by Samuel
Unrecorded maker
629–630 · Silver
Cleared · Public Domain
live
Plate with the god Chahk
Maya artist(s)
600-800 CE · Ceramic, slip
Cleared · Public Domain
live
The Funeral Procession of Count Ernst Casimir, Stadtholder of Friesland and Groningen, that took place in Leeuwarden on January 3, 1633
Jan Herman (d. 1650)
1634 · Etching and engraving; twenty double-page plates and three double pages of letterpress text, bound in mottled calf gilt binding, covers panelled in gilt with central star design in gilt with turquoise and black morocco inlays.
Cleared · Public Domain
live
Plate
Unrecorded maker
1837–40 · Lacy pressed glass
Cleared · Public Domain
live
Plate
Worcester factory (d. 2008)
1878 · Bone china
Cleared · Public Domain
live
Plate 3: miracle that took place in the hacienda of the Lecheria
José Guadalupe Posada (d. 1913)
ca. 1894 · Type-metal engraving
Cleared · Public Domain
live
Broadsheet Our Lady of Solitude of Santa Cruz
José Guadalupe Posada (d. 1913)
1903 · Type-metal engraving and letterpress on buff paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oyster plate
Theodore Russell Davis (d. 1894)
ca. 1879–80 · Porcelain, overglaze enamels and gilding
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Postcard from Satie to Cocteau (3)]
Erik Satie (d. 1925)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 32: Allegory of the ten tragic days, 9–18 February 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce (d. 2003)
1945 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chance Encounter at 3 A.M.
Red Grooms (d. 9999)
1984 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mirror Image 1, 2, 3
Lala Rukh (d. 2017)
1997 · Graphite, charcoal, and black ink on found newspaper mounted on graph paper, mounted on 3 boards
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.