
Plate 23: Psyche on the order of Venus departing to find the golden fleece, from "The Story of Cupid and Psyche as told by Apuleius"
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
132 ms. The Metropolitan Museum of Art, Collection API (Open Access)
541 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 31 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 23: Psyche on the order of Venus departing to find the golden fleece, from "The Story of Cupid and Psyche as told by Apuleius"
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
live
Plate 24: Venus and Psyche standing at right, pointing to the underworld at center, into which Psyche enters, from "The Story of Cupid and Psyche as told by Apuleius"
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
live
Plate 3: two girls walking towards the left, seen from behind, a woman on a horse to left in background, from "Diversi Capricci"
Stefano della Bella (d. 1664)
ca. 1644–47 · Etching; first state of four
Cleared · Public Domain
live
Two girls walking towards the left, seen from behind, a woman on a horse to left in background, plate 3 from "Diversi capricci"
Stefano della Bella (d. 1664)
ca. 1644–47 · Etching; third state of four
Cleared · Public Domain
live
Plate 3: two girls walking towards the right, seen from behind, a woman on a horse to right in background, from "Diversi capricci"
Stefano della Bella (d. 1664)
ca. 1648 · Etching
Cleared · Public Domain
live
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2
Rudolph Ackermann, London (d. 1832)
July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples
Cleared · Public Domain
live
The Hudson River Portfolio
William Guy Wall (d. 1864)
1821–25 · Aquatint printed in color with hand-coloring; first and second states
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views of the Interior and Exterior of Windsor Castle
Joseph Nash (d. 1878)
1852 · Illustrations: lithographs with tint stones
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing drawings, prints, manuscript pages and newspaper clippings
Marcus Clayton Stone (d. 1921)
1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
William Biscombe Gardner (d. 1919)
1876–80 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Jabez Hogg (d. 1899)
1886–91 · Illustrations: wood engravings and color lithographs
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.