Watch
W.A.
1571 · Case and dial: gilded brass; Movement: gilded brass and polished steel
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
699 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
517 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 23 matching records exist across the two collections.
Results for "Plate 36: Salmacis and Hermaphroditis (H"12 records
Institutions answered newest-first by record, interleaved
Hermaphrodite
Giovanni Francesco Susini (d. 1653)
1639 · Bronze
Cleared · Public Domain
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Longcase astronomical regulator
Ferdinand Berthoud (d. 1807)
ca. 1768–70 · Case: oak veneered with ebony and brass, with gilt-bronze mounts; Dial: white enamel; Movement: gilded brass and steel
Cleared · Public Domain
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![Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP818136.jpg)
Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)
Goya (Francisco de Goya y Lucientes) (d. 1828)
1810 · Etching, burnished aquatint, drypoint
Cleared · Public Domain
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From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36)
Joseph Mallord William Turner (d. 1851)
June 1811 · Etching and mezzotint; fourth state of four
Cleared · Public Domain
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From Spenser's Fairy Queen, part VII, plate 36 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 1811 · Etching and mezzotint; first state of four
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Creation of Adam – The Breath of Life (La Création d'Adam)
Etienne Delaune (d. 1583)
1569 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 36: Salmacis and Hermaphroditis (Hermaphroditus et Salmacis vnum in corpus abeunt), from Ovid's 'Metamorphoses'
Antonio Tempesta (d. 1630)
1606 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Salamacis and Hermaphroditus (Hermaphroditus et Salmacis unum in corpus abeunt), plate 36 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta (d. 1630)
Published after 1606 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 5
Rudolph Ackermann, London (d. 1832)
January–June 1811 · Illustrations: etching, hand-coloring, woodcut and fabric samples
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful, Composed of Ornaments of All Periods and Styles
John Phillip Rinn (d. 1905)
1877 · Photo lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful, Composed of Ornaments of All Periods and Styles
John Phillip Rinn (d. 1905)
1877 · Photo lithographs
In copyright
liveThe MetSimilar
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