Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    256 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 132 matching records exist across the two collections.

Results for "Plate 36: The Battle between the Greeks"12 records

Institutions answered newest-first by record, interleaved

Terracotta volute-krater (bowl for mixing wine and water) by Painter of the Woolly Satyrs, The Metropolitan Museum of Art

Terracotta volute-krater (bowl for mixing wine and water)

Painter of the Woolly Satyrs

ca. 450 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Plate with the Battle of David and Goliath by an unrecorded maker, The Metropolitan Museum of Art

Plate with the Battle of David and Goliath

Unrecorded maker

629–30 · Silver

Cleared · Public Domain

live
The MetSimilar
Battle of the Amazons, from "Speculum Romanae Magnificentiae" by Nicolas Beatrizet, The Metropolitan Museum of Art

Battle of the Amazons, from "Speculum Romanae Magnificentiae"

Nicolas Beatrizet (d. 1566)

1559 · Engraving; second state of four (Robert-Dumesnil)

Cleared · Public Domain

live
The MetSimilar
Battle of the Amazons, from "Speculum Romanae Magnificentiae" by Nicolas Beatrizet, The Metropolitan Museum of Art

Battle of the Amazons, from "Speculum Romanae Magnificentiae"

Nicolas Beatrizet (d. 1566)

1559 · Engraving; second state of four (Robert-Dumesnil)

Cleared · Public Domain

live
The MetSimilar
Naval Battle, from "Speculum Romanae Magnificentiae" by Master of the Die, The Metropolitan Museum of Art

Naval Battle, from "Speculum Romanae Magnificentiae"

Master of the Die (d. 1560)

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Naval Battle, from "Speculum Romanae Magnificentiae" by Master of the Die, The Metropolitan Museum of Art

Naval Battle, from "Speculum Romanae Magnificentiae"

Master of the Die (d. 1560)

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Naval Battle, from "Speculum Romanae Magnificentiae" by Master of the Die, The Metropolitan Museum of Art

Naval Battle, from "Speculum Romanae Magnificentiae"

Master of the Die (d. 1560)

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Panels of Ornament, nos. CLXXXVI–CXCII, plate 36 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Panels of Ornament, nos. CLXXXVI–CXCII, plate 36 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

February 29, 1782 · Etching; printed in dark brown ink

Cleared · Public Domain

live
The MetSimilar
From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36) by Joseph Mallord William Turner, The Metropolitan Museum of Art

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36)

Joseph Mallord William Turner (d. 1851)

June 1811 · Etching and mezzotint; fourth state of four

Cleared · Public Domain

live
The MetSimilar
From Spenser's Fairy Queen, part VII, plate 36 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

From Spenser's Fairy Queen, part VII, plate 36 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

June 1811 · Etching and mezzotint; first state of four

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Battle Between the Greeks and the Amazons

Antonio Tempesta (d. 1630)

1600 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 36: The Battle between the Greeks and the Amazons, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie

Pietro Santi Bartoli (d. 1700)

1650–77 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.