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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    357 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 87 matching records exist across the two collections.

Results for "Plate 4, from "Desseins de Brasiers dont"12 records

Institutions answered newest-first by record, interleaved

Plate 1, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie" by Alexis Loir, The Metropolitan Museum of Art

Plate 1, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"

Alexis Loir (d. 1713)

1660–1713 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 2, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie" by Alexis Loir, The Metropolitan Museum of Art

Plate 2, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"

Alexis Loir (d. 1713)

1660–1713 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 3, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie" by Alexis Loir, The Metropolitan Museum of Art

Plate 3, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"

Alexis Loir (d. 1713)

1660–1713 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 4, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie" by Alexis Loir, The Metropolitan Museum of Art

Plate 4, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"

Alexis Loir (d. 1713)

1660–1713 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 5, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie" by Alexis Loir, The Metropolitan Museum of Art

Plate 5, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"

Alexis Loir (d. 1713)

1660–1713 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 6, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie" by Alexis Loir, The Metropolitan Museum of Art

Plate 6, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"

Alexis Loir (d. 1713)

1660–1713 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ceiling decoration with a bust of an imperator, plate 4 from 'Desseins de Plaphons', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Churchwarden's bench, from Chaires de prédicateurs et oeuvres de marguilliers, plate 4, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fireplace with a landscape painting on the mantle, plate 4 from 'Nouveaux dessins de cheminées à peu de frais', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moses and the daughters of Jethro, from Histoire de Moïse, plate 4, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; third state of four (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Plague of the Frogs, from Histoire de Moïse, plate 4, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variants for parterres, from Parterres de jardin, plate 4, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

17th century · Etching; undescribed state (Préaud)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.