Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
661 ms. The Metropolitan Museum of Art, Collection API (Open Access)
399 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 57 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth
Marco Dente (d. 1527)
ca. 1515–27 · Engraving
Cleared · Public Domain
live
Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth
Marco Dente (d. 1527)
ca. 1515–27 · Engraving
Cleared · Public Domain
live
Watch
F. L. Meybom (d. 1710)
ca. 1670–75 · Case: gold, blued steel, rock crystal, partly gilded silver, and diamonds; Dial: painted enamel and basse-taille enamel on gold; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
live![[Photo Collage: Woman with Pitchfork Aimed at Man] by Juan Pedro Chabalgoity, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-079.jpg)
[Photo Collage: Woman with Pitchfork Aimed at Man]
Juan Pedro Chabalgoity (d. 1909)
ca. 1875 · Albumen silver prints, lithographs
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse copy of Circular parterre in the shape of a labyrinth with a tree at center and buildings and a colonnade in the background, plate 4, from Perspective views of gardens with parterres
Hans Vredeman de Vries (d. 1606)
1615 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at top with the monogram L in a medallion, from Frises et différents ornements à l'italienne, plate 4, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4: Psyche with Juno and Ceres at left with a peacock below, a putto with a sword and a shield at center, and Venus on her chariot drawn by doves at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny (d. 1746)
1693 · Etching in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 3 and 4 from "Onzième Cahier du Recueil d'Ornemens" (Friezes)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 3 and 4 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 3 and 4 from "Troisième Cahier du Recueil d'Ornemens [Guichets de Clagny]" (Designs for decorated wall panels from the Castle of Clagny)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens; Frise qui est à la Vigne Medicis (Frieze from the Medicean vineyard [at the Villa Medici, Rome])
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens: Base qui est au Baptistaire de Constantine (Base of a Column at the Lateran Baptistery, Rome)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.