
Watch in the form of a Lesser George
Nicholas Vallin (d. 1603)
ca. 1600 · Case and dial: gold, partly enameled; movement: gilded brass and steel
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
264 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Watch in the form of a Lesser George
Nicholas Vallin (d. 1603)
ca. 1600 · Case and dial: gold, partly enameled; movement: gilded brass and steel
Cleared · Public Domain
live
Clock watch with astronomical dial and sundial
Jan Jansen Bockeltz (d. 1626)
ca. 1605–10 · Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
live
Virgin and child
Niccolò Roccatagliata (d. 1636)
early 17th century · Bronze
Cleared · Public Domain
live
Table or bracket clock
Edward East (d. 1697)
ca. 1665 · Case: ebonized fruitwood and rosewood with ebony moldings; Dial: gilded brass and silver; Movement: brass and steel
Cleared · Public Domain
live
Pair of five-light candelabra
Luigi Valadier (d. 1785)
1774 · Bronze, fire-gilt; porphyry, iron (pin)
Cleared · Public Domain
live
Mantel clock with alarm
Franz Xavier Gegenreiner (d. 1770)
case ca. 1710, movement ca. 1760–70 · Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel
Cleared · Public Domain
live
Armchair
Karl Friedrich Schinkel (d. 1841)
ca. 1828 · Gilded mountain ash; brass mounts and casters; modern upholstery
Cleared · Public Domain
live
Washington Irving's Illustrations for the Legend of Rip Van Winkle, Designed and Etched by F.O.C. Darley
Felix Octavius Carr Darley (d. 1888)
1848 · Lithographs (called etching on stone)
Cleared · Public Domain
live
Watch and chatelaine
Hippolyte Téterger
ca. 1875–78 · Chatelaine: partly enameled gold and platinum set with diamonds; Movement: gilded brass and steel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of the Prodigal Son, plate 4 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4: The Doge Returns Thanks in the Sala del Consiglio Maggior, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)
Giovanni Battista Brustolon (d. 1796)
ca. 1766 · Etching and engraving; second state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Voyage de Sa Majésté Louis-Philippe 1er, Roi des Français au Château de Windsor (Visit of His Majesty Louis Philippe I, King of the French to Windsor Castle)
Edouard Pingret (d. 1875)
1846 · Illustrations: lithographs with tint stones: one on chine collé, one in color
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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