Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
280 ms. The Metropolitan Museum of Art, Collection API (Open Access)
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 40 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Plate 4: a Corinthian capital on the ground, a monument with figures in low relief, various animals and two shepherds, from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1643–48 · Etching
Cleared · Public Domain
live
A Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right, plate 4 from "Roman landscapes and ruins" (Paysages et ruines de Rome)
Stefano della Bella (d. 1664)
ca. 1646 · Etching; fourth state of nine (Talbierska)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entablature, capital and two consoles, plate 4, from Architectura 3e Stuck de oorden Tuschana
Hans Vredeman de Vries (d. 1606)
1578 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Composite order and six consoles, one in the shape of an Ionic capital, plate 4, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Corinthian order and eight consoles, plate 9, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Corinthian order and five consoles and one rosette, plate 19, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Corinthian order and six consoles and one mutules, plate 20, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Corinthian order and six consoles, plate 13, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Corinthian order and six consoles, plate 14, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Corinthian order and six consoles, plate 3, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shaft, capital and entablature of the Corinthian order and six consoles, plate 8, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita
Hans Vredeman de Vries (d. 1606)
1581 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Receuil d'Ornemens: Chapiteau Corinthièn Moderne vû sur l'angle (Modern Corinthian Capital seen at an angle)
André-Louis Caillouet (d. 1817)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.