
Rebecchino
Unrecorded maker
ca. 1420 · Boxwood, rosewood, ebony
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
286 ms. The Metropolitan Museum of Art, Collection API (Open Access)
324 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 59 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Rebecchino
Unrecorded maker
ca. 1420 · Boxwood, rosewood, ebony
Cleared · Public Domain
live
Copy of The Rich Man Transported to Hell, from "The Parable of the Rich Man and Lazarus"
Heinrich Aldegrever (d. 1561)
after 1554 · Engraving
Cleared · Public Domain
live
Quatrefoil Design in Blackwork, from "Varii Generis Opera Aurifabris Necessaria"
Paul Birckenhultz (d. 1639)
ca. 1600 · Engraving and blackwork
Cleared · Public Domain
live
Five grotesque heads, plate 4 from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques)
Stefano della Bella (d. 1664)
ca. 1638–43 · Etching
Cleared · Public Domain
live
Plate 4: five grotesque heads, from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques)
Stefano della Bella (d. 1664)
ca. 1642–43 · Etching
Cleared · Public Domain
live
Sight (Visus), from "Quinque Sensuum"
Franz Cleyn (d. 1658)
ca. 1655 · Engraving
Cleared · Public Domain
live
Taste (Gustus), from "Quinque Sensuum"
Franz Cleyn (d. 1658)
ca. 1655 · Engraving
Cleared · Public Domain
live
Title Plate, from "Quinque Sensuum"
Franz Cleyn (d. 1658)
ca. 1655 · Engraving
Cleared · Public Domain
live
Pair of five-light candelabra
Luigi Valadier (d. 1785)
1774 · Bronze, fire-gilt; porphyry, iron (pin)
Cleared · Public Domain
live
Panels of Ornament, nos. XLII-XLVI, plate 14 from "Designs for Various Ornaments"
Michelangelo Pergolesi (d. 1801)
May 30, 1778 · Etching; printed in dark brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior with a Canopy Bed at Center and Two Chairs at Left, from Second Liure Dappartements, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.