
Deity figure
Maya artist(s)
200–600 CE · Pyroxene jadeite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
365 ms. The Metropolitan Museum of Art, Collection API (Open Access)
351 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Deity figure
Maya artist(s)
200–600 CE · Pyroxene jadeite
Cleared · Public Domain
live
Ear Spool
Unrecorded maker
450–1000 CE · Gold
Cleared · Public Domain
live
Watch
W.A.
1571 · Case and dial: gilded brass; Movement: gilded brass and polished steel
Cleared · Public Domain
live
Clock watch with astronomical dial and sundial
Jan Jansen Bockeltz (d. 1626)
ca. 1605–10 · Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
live
Viola
Robert Horne (d. 1773)
1757 · Wood
Cleared · Public Domain
live
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
Goya (Francisco de Goya y Lucientes) (d. 1828)
1810 · Etching, drypoint, burin
Cleared · Public Domain
live
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
Goya (Francisco de Goya y Lucientes) (d. 1828)
1810 (published 1863) · Etching, drypoint, burin
Cleared · Public Domain
live
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi)
Goya (Francisco de Goya y Lucientes) (d. 1828)
1810 (published 1863) · Etching, drypoint, burin
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 44: David watching Bathsheba bathing on the roof of the palace while soldiers march below, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Cesare Fantetti (d. 1675)
1675 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates Illustrating the Geology and Scenery of Massachusetts
Orra White Hitchcock (d. 1863)
1833 · Illustrations: lithograph, one hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Mason Jackson (d. 1903)
1865–70 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 44: soldiers from the regime of Victoriano Huerta herding those who supported Emiliano Zapata and burning their homes, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alberto Beltrán (d. 2002)
1947 · Linocut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.