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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    412 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 36 matching records exist across the two collections.

Results for "Plate 47 from "Los Caprichos": A gift fo"6 records

Institutions answered newest-first by record, interleaved

Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 36 from "Los Caprichos": A bad night (Mala noche) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 36 from "Los Caprichos": A bad night (Mala noche)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint

Cleared · Public Domain

live
The MetSimilar
Plate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 80 from "Los Caprichos": It is time (Ya es hora) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 80 from "Los Caprichos": It is time (Ya es hora)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Self-Portrait; Plate 1 from "Los Caprichos" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Self-Portrait; Plate 1 from "Los Caprichos"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.