Aerarii Publici Rome, from a series depicting (reconstructed) buildings from Roman antiquity
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–50 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
400 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
556 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 49 matching records exist across the two collections.
Results for "Plate 48: Solomon building the Temple at"12 records
Institutions answered newest-first by record, interleaved
Aerarii Publici Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Monogrammist G.A. with the Caltrop (d. 1535)
Plate ca. 1530–1550 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Pantheon Rome, from a series depicting (reconstructed) buildings from Roman antiquity
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–50 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Tem. Ro. Penatibus Dicatu, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Monogrammist G.A. with the Caltrop (d. 1535)
Plate ca. 1530–1550 · Engraving [plate has very sharp edges]
Cleared · Public Domain
liveThe MetSimilar
Tenplum Iovis Ultoris, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Monogrammist G.A. with the Caltrop (d. 1535)
Plate ca. 1530–1550 · Engraving
Cleared · Public Domain
liveThe MetSimilar
The Feast of Belshazzar
Antonio Gionima (d. 1732)
1697–1732 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brownish paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Horizontal panel with an oval scene at center with an open circular temple with a central basin and fountain, and interlaced bands in the corners, plate 1, from Variæ Architecturæ Formae
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching; first state of two (Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a castle from its entrance building and bridge, with a garden pavillion supported by female terms in the foreground at right, plate 48, from Variæ Architecturæ Formae
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching; second state of two (Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a harbor-canal with a crane at left and a colonnadede building at right, plate 32, from Variæ Architecturæ Formae
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching; second state of two (Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a town square with a fountain and a temple in the background at center, plate 40, from Variæ Architecturæ Formae
Hans Vredeman de Vries (d. 1606)
Published after 1601 · Etching; second state of two (Hollstein)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 48: Solomon building the Temple at Jerusalem, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Pietro Aquila (d. 1700)
1675 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Coupe interieure d'un ancien Temple, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.