Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    384 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    272 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Plate 5: Sleeping Shepherdess, from Quat"12 records

Institutions answered newest-first by record, interleaved

Blackwork Designs with Various Mammals and Birds, Plate 5 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers by Meinert Gelijs, The Metropolitan Museum of Art

Blackwork Designs with Various Mammals and Birds, Plate 5 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers

Meinert Gelijs

after 1622 · Blackwork and engraving

Cleared · Public Domain

live
The MetSimilar
Plate 3: Shepherd tickling a sleeping Shepherdess with a piece of straw, from Troisieme Livre de Sujets et Pastorales (Third Book of Subjects and Pastorals) by Gabriel Huquier, The Metropolitan Museum of Art

Plate 3: Shepherd tickling a sleeping Shepherdess with a piece of straw, from Troisieme Livre de Sujets et Pastorales (Third Book of Subjects and Pastorals)

Gabriel Huquier (d. 1772)

1720–72 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Sleeping Shepherdess by Robert Hancock, The Metropolitan Museum of Art

Sleeping Shepherdess

Robert Hancock (d. 1817)

ca. 1770–80 · Enamel on copper, transfer printed and overenameled

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2

Rudolph Ackermann, London (d. 1832)

July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
"Yet she must die": plate 11 from Othello (Act 5, Scene 2) by Théodore Chassériau, The Metropolitan Museum of Art

"Yet she must die": plate 11 from Othello (Act 5, Scene 2)

Théodore Chassériau (d. 1856)

etched 1844, reprinted 1900 · Etching, engraving, roulette, and drypoint on chine collé; second edition (Gazette des Beaux-Arts)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ceiling decoration with a satyr approaching a sleeping nymph, from Plafonds modernes, plate 5

Jean Le Pautre (d. 1682)

published ca. 1651 · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ceiling decoration with a satyr approaching a sleeping nymph, plate 5 from 'Plafonds modernes', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ceiling decoration with a satyr approaching a sleeping nymph, from Plafonds modernes, plate 5, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.

Jean Le Pautre (d. 1682)

1751 · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 5: Shepherd, holding up a branch, accompanied by a seated Shepherdess, from Second Livre de Sujets et Pastorales (Second Book of Subjects and Pastorals)

Gabriel Huquier (d. 1772)

1720–72 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 5: Sleeping Shepherdess, from Quatrième Livre de Sujets et Pastorales (Fourth Book of Subjects and Pastorals)

Gabriel Huquier (d. 1772)

1720–72 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sleeping couple, plate XXXVIII from the suite Impressions de Ménage (second series), published in Le Charivari, September 5, 1847

Paul Gavarni [Chevalier] (d. 1866)

September 5, 1847 · Lithograph; second and last state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.