
Plate 5: The Ancient Temple: a woman descending a staircase at left and giving alms to a beggar, a rotunda at right, from "Les soirées de Rome"
Hubert Robert (d. 1808)
ca. 1763–64 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1001 ms. The Metropolitan Museum of Art, Collection API (Open Access)
354 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 131 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 5: The Ancient Temple: a woman descending a staircase at left and giving alms to a beggar, a rotunda at right, from "Les soirées de Rome"
Hubert Robert (d. 1808)
ca. 1763–64 · Etching
Cleared · Public Domain
live
Woman from the French Colonies
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Algerian onyx-marble, bronze, and enamel; white marble socle
Cleared · Public Domain
live
Jewish Woman of Algiers
Charles-Henri-Joseph Cordier (d. 1905)
1862 · Algerian onyx-marble, bronze, gilt bronze, enamel, and amethyst eyes; white marble socle
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue des Restes du Temple de la Paix dans le Campo Vaccino, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ancien Temple de Clitunne entre Foligni et Spolette, plate 3 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Dominico Montagu
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Basrelief Antique, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Basrelief, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frise du Temple de Pallas, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Prétes Diacres et Ministres de l'Eglise, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Freicenet
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Restes d'un ancien Temple octogone dédié à Junon, auprès de Pozzole, plate 5 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Dominico Montagu
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Parure des Dames, Plate 5
Mondhare et Jean
ca. 1776 · Hand colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Palais des Nonnes à Chichen-Itza
Désiré Charnay (d. 1915)
April 1860 · Albumen silver print from glass negative
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.