
Plate 5, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
205 ms. The Metropolitan Museum of Art, Collection API (Open Access)
278 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,086 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 5, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
live
Plate 5: Zabulun
Jacob de Gheyn II (d. 1629)
c. 1589 · Print, engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5, from "Les Epitaphes" (Epitaphs)
Nicholas Blasset (d. 1659)
ca. 1640–59 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5, from "Livre de Plusieurs Cartouches"
Albert Flamen (d. 1688)
1664 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nouvelles Cheminées à la Mode, Plate 5
François II de Poilly (d. 1741)
1712 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Vessels, ornaments, etc.], Plate 5
Jean Bernard Toro (d. 1731)
before 1731 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nouveau Livre de Cartouches, Plate 5
Louis Van Nerven (d. 1800)
ca. 1750 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5, from "Suitte de Trophés"
Jacques Ignace de Latouche (d. 1781)
ca. 1750 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fountains, Plate 5
Charles Hutin (d. 1776)
1764 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tombs, Plate 5
Charles Hutin (d. 1776)
1764 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Box Lids, Plate 5
Roch (d. 1830)
third quarter 18th century · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chimney-places, plate 5
Jacques II Chéreau (d. 1776)
before 1776 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.