Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    298 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 68 matching records exist across the two collections.

Results for "Plate 5: frieze with nereids, a triton,"11 records

Institutions answered newest-first by record, interleaved

Battle of the Sea Gods (right portion of frieze) by Andrea Mantegna, The Metropolitan Museum of Art

Battle of the Sea Gods (right portion of frieze)

Andrea Mantegna (d. 1506)

before 1481 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 5, from "Friezes with Birds, Flowers and Meandering Wreaths and Scrolls" by Theodor Bang, The Metropolitan Museum of Art

Plate 5, from "Friezes with Birds, Flowers and Meandering Wreaths and Scrolls"

Theodor Bang (d. 1606)

ca. 1600–1617 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 2: frieze with nereids, putti with wreaths, and a ichthyocentaur holding a basket of fruit, a dolphin at right

Odoardo Fialetti (d. 1638)

1590–1627 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 3: frieze with a dolphin at left, nereids and a triton at center, and a putto riding a goat at right

Odoardo Fialetti (d. 1638)

1590–1627 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 4: frieze with nereids and ichthyocentaurs, one ichthyocentaur holding a turtle at right

Odoardo Fialetti (d. 1638)

1590–1627 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 5: frieze with nereids, a triton, and a ichthyocentaur, with a nereid seated on a dolphin at right

Odoardo Fialetti (d. 1638)

1590–1627 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vase ornamented with a frieze of young tritons, from Vases à l'antique, plate 5, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

published 1661 · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frieze at right with a centaur turning into rinceaux, from Frises et différents ornements à l'italienne, plate 5, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frieze at the bottom ornamented with a putti and a dolphin, from Différents morceaux d'ornements à la romaine, plate 5, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountains, Plate 5

Charles Hutin (d. 1776)

1764 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 5, from "New Book of Vases" (Nouveau Livre de Vases)

Juste Nathan Boucher (d. 1782)

1755–67 · Engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.