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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    246 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    317 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Plate 6: Ferdinand receiving the keys to"12 records

Institutions answered newest-first by record, interleaved

Francesco I de' Medici, grand duke of Tuscany by Giambologna, The Metropolitan Museum of Art

Francesco I de' Medici, grand duke of Tuscany

Giambologna (d. 1608)

modeled 1585–87, cast ca. 1611 · Bronze

Cleared · Public Domain

live
The MetSimilar
Plate 21: Emperor Charles V being offered the keys of Saxony and Hesse; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Anton van der Does, The Metropolitan Museum of Art

Plate 21: Emperor Charles V being offered the keys of Saxony and Hesse; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Anton van der Does (d. 1680)

1636 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 6: Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Pieter de Jode II, The Metropolitan Museum of Art

Plate 6: Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Pieter de Jode II (d. 1674)

1636 · Engraving

Cleared · Public Domain

live
The MetSimilar
Wig cabinet (cabinet de coiffure) by Johann Daniel Sommer II, The Metropolitan Museum of Art

Wig cabinet (cabinet de coiffure)

Johann Daniel Sommer II (d. 1698)

ca. 1685 · Oak and walnut veneered with ebony, ebonized wood, and marquetry of pewter, mother of pearl, and tortoiseshell colored red on the reverse; silver; brocaded damask (not original)

Cleared · Public Domain

live
The MetSimilar
Two soldiers shaking hands by Kelsterbach Pottery and Porcelain Manufactory, The Metropolitan Museum of Art

Two soldiers shaking hands

Kelsterbach Pottery and Porcelain Manufactory (d. 1828)

1761–64 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Longcase astronomical regulator by Ferdinand Berthoud, The Metropolitan Museum of Art

Longcase astronomical regulator

Ferdinand Berthoud (d. 1807)

ca. 1768–70 · Case: oak veneered with ebony and brass, with gilt-bronze mounts; Dial: white enamel; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Watch by Daniel Vauchez, The Metropolitan Museum of Art

Watch

Daniel Vauchez (d. 1790)

ca. 1783–90 · Case: partly enameled gold set with pearls, gold bezel with diamonds set in silver; Dial: white enamel with openwork brass hands; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Clarinet in E-flat by Ferdinand Zogbaum, The Metropolitan Museum of Art

Clarinet in E-flat

Ferdinand Zogbaum

ca. 1855 · Boxwood, brass, ivory, rosewood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elements of Drawing, In a Series of Examples Extracted from Pictures Painted by, and in the Gallery of Benjamin West, Esq., Historical Painter to the King, President of the Royal Academy, &c. &c.

Edward Scriven (d. 1841)

1813 · Illustrations: stipple engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frescoes by celebrated Italian artists from the XIV and XV centuries (Affreschi celebri del XIV e XV secolo)

Carlo Lasinio (d. 1838)

1817–1838 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Gems of the Great Exhibition, No. 3

George Baxter (d. 1867)

1852 · Baxter process: aquatint key plate with oil colors printed from 10 wood engraved blocks

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frederick Goulding, Master Printer of Copper Plates

Martin Hardie (d. 1952)

1910 · Illustrations: photogravure, photo-engraving and etching

In copyright

live
The MetSimilar

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