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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    413 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    729 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 49 matching records exist across the two collections.

Results for "Plate 6: Saint Joseph's dream, with the"12 records

Institutions answered newest-first by record, interleaved

The Prophet Isaiah by Valentin Bousch, The Metropolitan Museum of Art

The Prophet Isaiah

Valentin Bousch (d. 1541)

1533 · Stained glass

Cleared · Public Domain

live
The MetSimilar
The Prophet Moses by Valentin Bousch, The Metropolitan Museum of Art

The Prophet Moses

Valentin Bousch (d. 1541)

1533 · Stained glass

Cleared · Public Domain

live
The MetSimilar
Diverses Pieces de Serruriers, page 6 (recto) by Jean Berain, The Metropolitan Museum of Art

Diverses Pieces de Serruriers, page 6 (recto)

Jean Berain (d. 1711)

ca. 1663 · Engraving

Cleared · Public Domain

live
The MetSimilar
Andromeda and the Sea Monster by Domenico Guidi, The Metropolitan Museum of Art

Andromeda and the Sea Monster

Domenico Guidi (d. 1701)

1694 · Marble

Cleared · Public Domain

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The MetSimilar
Longcase clock with calendar by Joseph Knibb, The Metropolitan Museum of Art

Longcase clock with calendar

Joseph Knibb (d. 1711)

ca. 1680–85 · Case: walnut and oak veneered with walnut; dial: gilded and silvered brass; movement: brass, steel

Cleared · Public Domain

live
The MetSimilar
The rest on the flight into Egypt by Alessandro Algardi, The Metropolitan Museum of Art

The rest on the flight into Egypt

Alessandro Algardi (d. 1654)

late 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Longcase clock with calendar by Daniel Delander, The Metropolitan Museum of Art

Longcase clock with calendar

Daniel Delander (d. 1733)

probably ca. 1720 · Case: oak veneered with burl walnut and walnut-herringbone inlay; Dial: gilded and silvered brass; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Plate 6: Saint Joseph's dream, with the Virgin Mary at left and an angel above who points to the Holy Spirit by Benedetto Eredi, The Metropolitan Museum of Art

Plate 6: Saint Joseph's dream, with the Virgin Mary at left and an angel above who points to the Holy Spirit

Benedetto Eredi (d. 1815)

1777 · Etching and engraving

Cleared · Public Domain

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The MetSimilar
Medici vase with a scene of the park at Saint-Cloud (one of a pair) by Sèvres Manufactory, The Metropolitan Museum of Art

Medici vase with a scene of the park at Saint-Cloud (one of a pair)

Sèvres Manufactory (d. 9999)

1811 · Hard-paste porcelain decorated in polychrome enamels, gold, gilt bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 6: a young saint seated on a cloud with angels, from a series of eight prints after the fresco cycle "The Assumption of the Virgin" by Giovanni Lanfranco in the dome of the church of Sant'Andrea della Valle, Rome

Carlo Cesi (d. 1682)

1680 · Etching and engraving; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Obelisque dans la Jardein Mattei, Obelisque de la Place de St. Pierre, Colonne tirée des ruines du Temple de la Paix et élevé sur la Place de Ste. Marie Majeure, Obelisque sur la Fountaine de Place Navone, Obelisque etendu par terre dans la cour du Palais Barberini, Obelisque sur la Place du Peuple, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Etchings for the Art-Union of London

The Etching Club (d. 1885)

1857 · Etching

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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