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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    137 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 255 matching records exist across the two collections.

Results for "Plate 6 from "La Tauromaquia": The Moors"12 records

Institutions answered newest-first by record, interleaved

A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint

Cleared · Public Domain

live
The MetSimilar
Plate 25 from "La Tauromaquia": They loose dogs on the bull by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 25 from "La Tauromaquia": They loose dogs on the bull

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar

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