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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    250 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    442 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 220 matching records exist across the two collections.

Results for "Plate 61: Glass Frame, from "A New Book"12 records

Institutions answered newest-first by record, interleaved

Plate with the god Chahk by Maya artist(s), The Metropolitan Museum of Art

Plate with the god Chahk

Maya artist(s)

600-800 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Relief mounted as a mirror frame by Wenzel Jamnitzer, The Metropolitan Museum of Art

Relief mounted as a mirror frame

Wenzel Jamnitzer (d. 1585)

ca. 1568 · Gilded silver, ebony, mirror plate (later)

Cleared · Public Domain

live
The MetSimilar
Looking Glass by Isaac Platt, The Metropolitan Museum of Art

Looking Glass

Isaac Platt (d. 1875)

1829–35 · Glass, gesso

Cleared · Public Domain

live
The MetSimilar
Looking Glass by Isaac Platt, The Metropolitan Museum of Art

Looking Glass

Isaac Platt (d. 1875)

1829–35 · Glass, gesso

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 1: Temple, from "A New Book of Chinese Designs"

Matthias Darly (d. 1780)

1754 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 26: Two Oval Landscapes, from "A New Book of Chinese Designs"

Matthias Darly (d. 1780)

1754 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 41: Doors, from "A New Book of Chinese Designs"

Matthias Darly (d. 1780)

1754 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 61: Glass Frame, from "A New Book of Chinese Designs"

Matthias Darly (d. 1780)

1754 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 68: Glass Frame, from "A New Book of Chinese Designs"

Matthias Darly (d. 1780)

1754 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 84: Six Various Pannels, from "A New Book of Chinese Designs"

Matthias Darly (d. 1780)

1754 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Alhambra

Alice Cordelia Morse (d. 1961)

1892 · Cream cloth covered boards with gold, green and blue decoration

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of a Living Room or Den

L. & J. G. Stickley of Fayetteville, New York

ca. 1900–10 · Black chalk or charcoal and crayon

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.