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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    130 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Plate 7: The Flood (Diluvium.), from Ovi"11 records

Institutions answered newest-first by record, interleaved

Plate with the god Chahk by Maya artist(s), The Metropolitan Museum of Art

Plate with the god Chahk

Maya artist(s)

600-800 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Ear Spool by an unrecorded maker, The Metropolitan Museum of Art

Ear Spool

Unrecorded maker

450–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Ear Spool by an unrecorded maker, The Metropolitan Museum of Art

Ear Spool

Unrecorded maker

450–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Roman Naval Battle, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Roman Naval Battle, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Roman Naval Battle, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Roman Naval Battle, from "Speculum Romanae Magnificentiae"

Anonymous

late 16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses' by Antonio Tempesta, The Metropolitan Museum of Art

Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses'

Antonio Tempesta (d. 1630)

1606 · Etching

Cleared · Public Domain

live
The MetSimilar
Repeating watch by Francis Perigal, The Metropolitan Museum of Art

Repeating watch

Francis Perigal (d. 1767)

probably ca. 1770 · Case: partly enameled gold; Dial: white enamel with black numerals and silver hands set with diamonds; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Watch case by George Harrison, The Metropolitan Museum of Art

Watch case

George Harrison (d. 1790)

probably ca. 1770 · Partly enameled gold, outer case set with diamonds

Cleared · Public Domain

live
The MetSimilar
Pocket watch by Robert Roskell, The Metropolitan Museum of Art

Pocket watch

Robert Roskell (d. 1830)

1820–21 · Case: gold; Dial: gold with gold and steel hands; Movement: partly gilded brass, partly blued steel, and diamond

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Flood (Diluvium), plate 7 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)

Antonio Tempesta (d. 1630)

Published after 1606 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The New Buildings and Chouringhee [Chowringhee]

Thomas Daniell (d. 1840)

1787 · Hand-colored aquatint

In copyright

live
The MetSimilar

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