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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    597 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 800 matching records exist across the two collections.

Results for "Plate 7 from "La Tauromaquia": Origin of"12 records

Institutions answered newest-first by record, interleaved

La Parure des Dames, Plate 7 by Mondhare et Jean, The Metropolitan Museum of Art

La Parure des Dames, Plate 7

Mondhare et Jean

ca. 1776 · Hand colored engraving

Cleared · Public Domain

live
The MetSimilar
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 2 from "La Tauromaquia": Another way of hunting on foot by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, aquatint

Cleared · Public Domain

live
The MetSimilar
Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint

Cleared · Public Domain

live
The MetSimilar
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, burin

Cleared · Public Domain

live
The MetSimilar
The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, aquatint

Cleared · Public Domain

live
The MetSimilar

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