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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    212 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    324 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 59 matching records exist across the two collections.

Results for "Plate 8, from "Antique Clocks, 2nd Part""12 records

Institutions answered newest-first by record, interleaved

Astronomical table clock by Jeremias Metzger, The Metropolitan Museum of Art

Astronomical table clock

Jeremias Metzger (d. 1602)

1568 · Case and dials: gilded brass; Movement: iron

Cleared · Public Domain

live
The MetSimilar
Mirror clock by Master CR, The Metropolitan Museum of Art

Mirror clock

Master CR (d. 1565)

ca. 1565–70 · Case: gilded brass and gilded copper; Dial: gilded brass; Movement: plated frame of iron, iron wheels

Cleared · Public Domain

live
The MetSimilar
Hooded wall clock with calendar by Ahasuerus I Fromanteel, The Metropolitan Museum of Art

Hooded wall clock with calendar

Ahasuerus I Fromanteel (d. 1693)

ca. 1660–65 · Case: ebony and oak veneered with ebony, ebonized wood, gilded brass; Dial: gilded brass with silvered-brass chapter ring; Movement: brass, steel

Cleared · Public Domain

live
The MetSimilar
Longcase clock with calendar and alarm by Ahasuerus II Fromanteel, The Metropolitan Museum of Art

Longcase clock with calendar and alarm

Ahasuerus II Fromanteel (d. 1703)

ca. 1690–94 · Case: walnut and rosewood veneer on oak, and partly gilded limewood; Dial: gilded and silvered brass; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy in Reverse of an Antique Urn Decorated with a Motif of Diamond Rings and Lions, Plate 1 from a Series of Vases after the Antique

Agostino Veneziano (Agostino dei Musi) (d. 1536)

mid-16th century · Engraving (2nd state)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Liont hunt from the Antique

Etienne Delaune (d. 1583)

before 1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 10, from "Antique Clocks, 2nd Part" (Pandulle à l'Antique. 2.me Partie)

Peter Scheemakers III (d. 1765)

before 1765 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 11, from "Antique Clocks, 2nd Part" (Pandulle à l'Antique. 2.me Partie)

Peter Scheemakers III (d. 1765)

before 1765 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 12, from "Antique Clocks, 2nd Part" (Pandulle à l'Antique. 2.me Partie)

Peter Scheemakers III (d. 1765)

before 1765 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 7, from "Antique Clocks, 2nd Part" (Pandulle à l'Antique. 2.me Partie)

Peter Scheemakers III (d. 1765)

before 1765 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 8, from "Antique Clocks, 2nd Part" (Pandulle à l'Antique. 2.me Partie)

Peter Scheemakers III (d. 1765)

before 1765 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 9, from "Antique Clocks, 2nd Part" (Pandulle à l'Antique. 2.me Partie)

Peter Scheemakers III (d. 1765)

before 1765 · Engraving

In copyright

live
The MetSimilar

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