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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    147 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    255 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Plate 8: Illustration to Canto VIII, fro"7 records

Institutions answered newest-first by record, interleaved

Hermaphrodite by Giovanni Francesco Susini, The Metropolitan Museum of Art

Hermaphrodite

Giovanni Francesco Susini (d. 1653)

1639 · Bronze

Cleared · Public Domain

live
The MetSimilar
Nécessaire with watch by an unrecorded maker, The Metropolitan Museum of Art

Nécessaire with watch

Unrecorded maker

probably ca. 1745–50 · Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Repeating watch by Francis Perigal, The Metropolitan Museum of Art

Repeating watch

Francis Perigal (d. 1767)

probably ca. 1770 · Case: partly enameled gold; Dial: white enamel with black numerals and silver hands set with diamonds; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Watch case by George Harrison, The Metropolitan Museum of Art

Watch case

George Harrison (d. 1790)

probably ca. 1770 · Partly enameled gold, outer case set with diamonds

Cleared · Public Domain

live
The MetSimilar
Table clock with calendar by Lucien Falize, The Metropolitan Museum of Art

Table clock with calendar

Lucien Falize (d. 1897)

1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 8: Illustration to Canto VIII, from Torquato Tasso's "Gerusalemme liberata III"

Antonio Tempesta (d. 1630)

ca. 1590–1630 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 6

Rudolph Ackermann, London (d. 1832)

July–December 1811 · Illustrations: etching, engraving, woodcut, hand-coloring, and textile samples

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.