
Ornament
Maya artist(s)
400–900 CE · Jade
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
494 ms. The Metropolitan Museum of Art, Collection API (Open Access)
319 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ornament
Maya artist(s)
400–900 CE · Jade
Cleared · Public Domain
live
Face of an Egyptian canopic vase, from "Speculum Romanae Magnificentiae"
Etienne DuPérac (d. 1604)
late 16th to early 17th century · Etching
Cleared · Public Domain
live
Plate 8: Otho in profile facing left, from "The Twelve Caesars"
Anonymous
1610–40 · Etching and engraving
Cleared · Public Domain
live
Plate 8: Head of an old bald man with a long beard, facing left in profile, from "Various heads and figures" (Diverses têtes et figures)
Stefano della Bella (d. 1664)
1650 · Etching
Cleared · Public Domain
live
Plate 12: A young man leaning on a staff looking outward, with an old man behind to his right, from "Icones ad vivum expressae"
Giovanni Cattini (d. 1800)
1743 · Etching
Cleared · Public Domain
live
Plate 3: Boy with a hat touching the face of a girl, from "Icones ad vivum expressae"
Giovanni Cattini (d. 1800)
1743 · Etching
Cleared · Public Domain
live
Plate 6: A young man embracing a girl, from "Icones ad vivum expressae"
Giovanni Cattini (d. 1800)
1743 · Etching
Cleared · Public Domain
live
Longcase clock
Hermann Achenbach (d. 1825)
ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel
Cleared · Public Domain
live
Eight Bells
Winslow Homer (d. 1910)
1887 · Copper plate, etched and steel-faced
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing drawings, prints, manuscript pages and newspaper clippings
Marcus Clayton Stone (d. 1921)
1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
On the Pier (En el Muelle), plate 2 from "8 Aguafuertes a Color" (8 Color Etchings)
Alfredo Zalce (d. 2003)
1947 · Color etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.