Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
630 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 24 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Plate 8: Proserpina, standing in a niche, turning to the right while holding mantle in both hands and flowers in her right hand, from "Mythological Gods and Goddesses"
Giovanni Jacopo Caraglio (d. 1565)
1526 · Engraving
Cleared · Public Domain
live
Adam and Eve Hide Themselves, from The Story of Adam and Eve
Heinrich Aldegrever (d. 1561)
1540 · Engraving
Cleared · Public Domain
live
Plate 8: Psyche seated at a table attended by invisible servants, as Cupid rests his head on her shoulder, at right four men standing singing from an open book, one playing a lute, from "The Story of Cupid and Psyche as told by Apuleius"
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
live
Plate 8: The Triumphal Arch: a man standing atop an architectural fragment in center with two men below, seen from behind, remains of a triumphal arch in the background and the ruins of an arcade to right, from "Les soirées de Rome"
Hubert Robert (d. 1808)
ca. 1763–64 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 10: The Tiburtine Sibyl standing in an interior, resting her right hand on a tablet, from 'The Sibyls'
Raffaello Schiaminossi (d. 1622)
1609 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4: The Persian Sibyl standing in a rocky landscape, pointing to her right, from The Sibyls
Raffaello Schiaminossi (d. 1622)
1606–9 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5: The Erythraean Sibyl standing in a rocky landscape in front of a tree, holding an open scroll in her left hand, from 'The Sibyls'
Raffaello Schiaminossi (d. 1622)
1609 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5: The Erythraean Sibyl standing in a rocky landscape, holding an open scroll in her left hand, from 'The Sibyls'
Raffaello Schiaminossi (d. 1622)
1609 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6: The Samian Sibyl standing in a landscape resting her right hand on a tablet, from 'The Sibyls'
Raffaello Schiaminossi (d. 1622)
1606–9 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6: The Samian Sibyl standing in a landscape resting her right hand on a tablet, from 'The Sibyls'
Raffaello Schiaminossi (d. 1622)
1606–9 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 8: The Hellespontine Sibyl standing in a rocky landscape, from 'The Sibyls'
Raffaello Schiaminossi (d. 1622)
1606–9 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 9: The Phrygian Sibyl standing in a rocky landscape with a tree behind her at her right, from 'The Sibyls'
Raffaello Schiaminossi (d. 1622)
1606–9 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.