
Ancient bas-reliefs with Laocoon, from "Speculum Romanae Magnificentiae"
Marco Dente (d. 1527)
ca. 1516–20 (?) · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
195 ms. The Metropolitan Museum of Art, Collection API (Open Access)
375 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ancient bas-reliefs with Laocoon, from "Speculum Romanae Magnificentiae"
Marco Dente (d. 1527)
ca. 1516–20 (?) · Engraving
Cleared · Public Domain
live
Watch
W.A.
1571 · Case and dial: gilded brass; Movement: gilded brass and polished steel
Cleared · Public Domain
live
Attilius Regulus in a Barrel, from "Speculum Romanae Magnificentiae"
Diana Scultori (d. 1588)
late 16th century · Engraving
Cleared · Public Domain
live
Watch with scenes from the story of Rebekah at the well
Johannes van Ceulen (d. 1715)
ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
live
Watch with portrait of Friedrick Wilhelm, the Great Elector
Johann G. Racine (d. 1748)
case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel
Cleared · Public Domain
live
Four O'Clock in Town
Thomas Rowlandson (d. 1827)
October 20, 1790 · Hand-colored etching and aquatint
Cleared · Public Domain
live
A Visit to the Uncle
Thomas Rowlandson (d. 1827)
December 20, 1794 · Etching and aquatint
Cleared · Public Domain
live
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)
Goya (Francisco de Goya y Lucientes) (d. 1828)
1799 · Etching, burnished aquatint, burin
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
100 Woodcuts by Posada / 100 Grabados en madera por Posada
José Guadalupe Posada (d. 1913)
1947 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 80: a young man removing a bandage from his eye, to learn to read (relating to the literacy campaign), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce (d. 2003)
1947 · Linocut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.