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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    195 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Plate 80: a young man removing a bandage"12 records

Institutions answered newest-first by record, interleaved

Ancient bas-reliefs with Laocoon, from "Speculum Romanae Magnificentiae" by Marco Dente, The Metropolitan Museum of Art

Ancient bas-reliefs with Laocoon, from "Speculum Romanae Magnificentiae"

Marco Dente (d. 1527)

ca. 1516–20 (?) · Engraving

Cleared · Public Domain

live
The MetSimilar
Watch by W.A., The Metropolitan Museum of Art

Watch

W.A.

1571 · Case and dial: gilded brass; Movement: gilded brass and polished steel

Cleared · Public Domain

live
The MetSimilar
Attilius Regulus in a Barrel, from "Speculum Romanae Magnificentiae" by Diana Scultori, The Metropolitan Museum of Art

Attilius Regulus in a Barrel, from "Speculum Romanae Magnificentiae"

Diana Scultori (d. 1588)

late 16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Four O'Clock in Town by Thomas Rowlandson, The Metropolitan Museum of Art

Four O'Clock in Town

Thomas Rowlandson (d. 1827)

October 20, 1790 · Hand-colored etching and aquatint

Cleared · Public Domain

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The MetSimilar
A Visit to the Uncle by Thomas Rowlandson, The Metropolitan Museum of Art

A Visit to the Uncle

Thomas Rowlandson (d. 1827)

December 20, 1794 · Etching and aquatint

Cleared · Public Domain

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The MetSimilar
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint, burin

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

100 Woodcuts by Posada / 100 Grabados en madera por Posada

José Guadalupe Posada (d. 1913)

1947 · Woodcut

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 80: a young man removing a bandage from his eye, to learn to read (relating to the literacy campaign), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)

Alfredo Zalce (d. 2003)

1947 · Linocut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.