
The Destroying Angels (fragment), plate 9 from "The Apocalypse"
Hans Burgkmair (d. 1531)
1523–24 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1271 ms. The Metropolitan Museum of Art, Collection API (Open Access)
298 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,117 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Destroying Angels (fragment), plate 9 from "The Apocalypse"
Hans Burgkmair (d. 1531)
1523–24 · Woodcut
Cleared · Public Domain
live
Plate 9: The bridge and market of the Rialto, Venice, from "Views of Venice" (Magnificentiores Selectioresque Urbis Venetiarum Prospectus)
Michele Marieschi (d. 1743)
1741 · Etching; second state of four (Succi)
Cleared · Public Domain
live
The/ Race Bridge/ Philadelphia/ JACKSONS WARRANTED
Job & John Jackson (d. 1835)
ca. 1831–ca. 1835 · Earthenware, transfer-printed
Cleared · Public Domain
live
Upper Ferry Bridge / over the / River Schuylkill
Joseph Stubbs (d. 1836)
ca. 1824–ca. 1836 · Earthenware, transfer-printed
Cleared · Public Domain
live
COLUMBIA BRIDGE. / ON THE / SUSQUEHANNA
William Ridgway & Co. (d. 1854)
ca. 1840–ca. 1854 · Earthenware, transfer-printed
Cleared · Public Domain
live
The orange market, with the Rialto Bridge beyond, Venice
James Holland (d. 1870)
1867 · Watercolor and gouache (bodycolor) over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 9: Portrait of Vitellius, from "The Emperors and Empresses of Rome"
Aegidius Sadeler II (d. 1629)
1597–1627 · Etching and engraving; second state of three (TIB)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twelve Grotesque Figures (Months of the Year), Plate 9 (August)
Denis Boutemie (d. 1636)
ca. 1638 · Etching, state 1 of 3
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 9, from "Samarkande"
Emile-Allain Séguy (d. 1951)
ca. 1914 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 2, Plate 9
Georges Darcy (d. 1999)
ca. 1933 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fish-market
Evelyn Bridge (d. 1957)
early 20th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 9, from "The Bullfight"
Alfred Van Loen (d. 1993)
1955 · Linocut
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.