
Inlay for a plate in the form of a feline
Unrecorded maker
ca. 7th century BCE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
431 ms. The Metropolitan Museum of Art, Collection API (Open Access)
402 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 151 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Inlay for a plate in the form of a feline
Unrecorded maker
ca. 7th century BCE · Gold
Cleared · Public Domain
live
Inlay for a plate in the form of a hare
Unrecorded maker
ca. 7th century BCE · Gold
Cleared · Public Domain
live
Plate
Unrecorded maker
1420–1430 · Tin-glazed earthenware
Cleared · Public Domain
live
Plate
Unrecorded maker
1450–1470 · Tin-glazed earthenware
Cleared · Public Domain
live
Blackwork Designs with Various Mammals and Birds, Plate 5 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers
Meinert Gelijs
after 1622 · Blackwork and engraving
Cleared · Public Domain
live
Fifth Plague of Egypt (Liber Studiorum, part III, plate 16)
Joseph Mallord William Turner (d. 1851)
1808 · Etching only; before first state of three
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 9: a putto with animals, including a giant salamander, at left, Mercury carrying Psyche to Olympus at center, a putto with lion and a seahorse at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina
Sir Nicolas Dorigny (d. 1746)
1693 · Etching in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variant designs with a putto riding a lion, from Ornements de panneaux à la romaine, plate 7, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.
Jean Le Pautre (d. 1682)
1751 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bas-relief with a griffin and putto, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Collection "Décors et Couleurs" Album No. 2, Planche 9
Jean Burkhalter
[ca. 1930] · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 9 from "Prismes: 40 Planches de Dessins et Coloris Nouveaux"
Emile-Allain Séguy (d. 1951)
ca. 1930 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 9, from "Nouvelles Compositions Décoratives, 1re Série"
Serge Gladky (d. 1939)
ca. 1930 · Pochoir
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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