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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    166 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    372 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 300 matching records exist across the two collections.

Results for "Plate II, from "Choix de Coquillages et"12 records

Institutions answered newest-first by record, interleaved

Plate III, from "Choix de Coquillages et de Crustacés" by Franz Michael Regenfuss, The Metropolitan Museum of Art

Plate III, from "Choix de Coquillages et de Crustacés"

Franz Michael Regenfuss (d. 1780)

1758 · Hand-colored engraving

Cleared · Public Domain

live
The MetSimilar
Plate IV, from "Choix de Coquillages et de Crustacés" by Franz Michael Regenfuss, The Metropolitan Museum of Art

Plate IV, from "Choix de Coquillages et de Crustacés"

Franz Michael Regenfuss (d. 1780)

1758 · Hand-colored engraving

Cleared · Public Domain

live
The MetSimilar
Plate IX, from "Choix de Coquillages et de Crustacés" by Franz Michael Regenfuss, The Metropolitan Museum of Art

Plate IX, from "Choix de Coquillages et de Crustacés"

Franz Michael Regenfuss (d. 1780)

1758 · Hand-colored engraving

Cleared · Public Domain

live
The MetSimilar
Plate V, from "Choix de Coquillages et de Crustacés" by Franz Michael Regenfuss, The Metropolitan Museum of Art

Plate V, from "Choix de Coquillages et de Crustacés"

Franz Michael Regenfuss (d. 1780)

1758 · Hand-colored engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Altarpiece ornamented with Mary and Saints weeping over the dead Christ, from Trois projets de retables d'autels, plate 3, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

17th century · Etching; undescribed state (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Altarpiece ornamented with The Rest on the Flight into Egypt in an oval medallion, from Trois projets de retables d'autels, plate 1, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

17th century · Etching; undescribed state (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Churchwarden's bench, from Chaires de prédicateurs et oeuvres de marguilliers, plate 4, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Choir stalls elevation, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)

Jean II Leblond (d. 1709)

ca. 1688 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nouveaux Lambris, cheminées et portes de chambre, Plate 2

François II de Poilly (d. 1741)

before 1741 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate II, from "Choix de Coquillages et de Crustacés"

Franz Michael Regenfuss (d. 1780)

1758 · Hand-colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate VII, from "Choix de Coquillages et de Crustacés"

Franz Michael Regenfuss (d. 1780)

1758 · Hand-colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Têtes de femmes Grecques, ornées du Nimbe

Nicolas-Xavier Willemin (d. 1833)

1798–1802 · Engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.