Plate III, from "Choix de Coquillages et de Crustacés"
Franz Michael Regenfuss (d. 1780)
1758 · Hand-colored engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
240 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
351 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 194 matching records exist across the two collections.
Results for "Plate IV, from "Choix de Coquillages et"12 records
Institutions answered newest-first by record, interleaved
Plate IV, from "Choix de Coquillages et de Crustacés"
Franz Michael Regenfuss (d. 1780)
1758 · Hand-colored engraving
Cleared · Public Domain
liveThe MetSimilar
Plate IX, from "Choix de Coquillages et de Crustacés"
Franz Michael Regenfuss (d. 1780)
1758 · Hand-colored engraving
Cleared · Public Domain
liveThe MetSimilar
Plate V, from "Choix de Coquillages et de Crustacés"
Franz Michael Regenfuss (d. 1780)
1758 · Hand-colored engraving
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze with three putti amidst rinceaux, from Rinceaux de frises et de feuillages, plate 2, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate II, from "Choix de Coquillages et de Crustacés"
Franz Michael Regenfuss (d. 1780)
1758 · Hand-colored engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate VII, from "Choix de Coquillages et de Crustacés"
Franz Michael Regenfuss (d. 1780)
1758 · Hand-colored engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate XVI, from "Les delices des yeux et de l'esprit, ou, collection generale des differentes especes de coquillages que la mer renferme"
Georg Wolfgang Knorr (d. 1761)
1764 · Hand-colored engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate XV, from "Les delices des yeux et de l'esprit, ou, collection generale des differentes especes de coquillages que la mer renferme"
Georg Wolfgang Knorr (d. 1761)
1768 · Hand-colored engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate IV, from "Les delices des yeux et de l'esprit, ou, collection generale des differentes especes de coquillages que la mer renferme"
Georg Wolfgang Knorr (d. 1761)
1770 · Hand-colored engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate XXIII, from "Les delices des yeux et de l'esprit, ou, collection generale des differentes especes de coquillages que la mer renferme"
Georg Wolfgang Knorr (d. 1761)
1760–73 · Hand-colored engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Têtes de femmes Grecques, ornées du Nimbe
Nicolas-Xavier Willemin (d. 1833)
1798–1802 · Engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.