Mirror clock
Master CR (d. 1565)
ca. 1565–70 · Case: gilded brass and gilded copper; Dial: gilded brass; Movement: plated frame of iron, iron wheels
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
134 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
231 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Results for "Plate No. 7, "Hops: Panel" of The Lady's"12 records
Institutions answered newest-first by record, interleaved
Commode
Jean François Cuvilliés the Elder (d. 1768)
ca. 1735–40 · Pine and linden wood; carved, partially painted, and gilded gesso, partly incised; Tegernsee limestone top
Cleared · Public Domain
liveThe MetSimilar
Repeating watch
Francis Perigal (d. 1767)
probably ca. 1770 · Case: partly enameled gold; Dial: white enamel with black numerals and silver hands set with diamonds; Movement: gilded brass and partly blued steel
Cleared · Public Domain
liveThe MetSimilar
Watch case
George Harrison (d. 1790)
probably ca. 1770 · Partly enameled gold, outer case set with diamonds
Cleared · Public Domain
liveThe MetSimilar
Longcase clock
Hermann Achenbach (d. 1825)
ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel
Cleared · Public Domain
liveThe MetSimilar
Commode à vantaux
David Roentgen (d. 1807)
ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Cleared · Public Domain
liveThe MetSimilar
Coin cabinet
Charles Percier (d. 1838)
ca. 1809–19 · Mahogany (probably Swietenia mahagoni), applied and inlaid silver
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful, Composed of Ornaments of All Periods and Styles
John Phillip Rinn (d. 1905)
1877 · Photo lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful, Composed of Ornaments of All Periods and Styles
John Phillip Rinn (d. 1905)
1877 · Photo lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate No. 12. "Lilies, Panel" of The Lady's Crewel Embroidery Book, Second Series, by E. M. C. [Elvira Mary Courbould]
Elvira Mary Courbould [E. M. C.] (d. 1900)
[1879] · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate No. 7, "Hops: Panel" of The Lady's Crewel Embroidery Book, Second Series, by E. M. C. [Elvira Mary Courbould]
Elvira Mary Courbould [E. M. C.] (d. 1900)
[1879] · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing drawings, prints, manuscript pages and newspaper clippings
Marcus Clayton Stone (d. 1921)
1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.