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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    148 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    305 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 38 matching records exist across the two collections.

Results for "Plate Six from Plusieurs Models des plus"12 records

Institutions answered newest-first by record, interleaved

Engraving Depicting the Interior of a Gunmaker’s Workshop, from the Pattern Book <i>Plusieurs Models des plus nouuelles manières qui sont en usage en l'Art d'Arquebuzerie auec les Ornements les plus Conuenables: le tout tiré des Ouurages de Thuraine et le Hollandois Arquebuziers Ordinaires de Sa Maiesté et graué</i> by Thuraine (French, Paris, active mid-17th century) and Adrien Reynier, called Le Hollandois (French, born ca. 1630) by C. Jacquinet, The Metropolitan Museum of Art

Engraving Depicting the Interior of a Gunmaker’s Workshop, from the Pattern Book <i>Plusieurs Models des plus nouuelles manières qui sont en usage en l'Art d'Arquebuzerie auec les Ornements les plus Conuenables: le tout tiré des Ouurages de Thuraine et le Hollandois Arquebuziers Ordinaires de Sa Maiesté et graué</i> by Thuraine (French, Paris, active mid-17th century) and Adrien Reynier, called Le Hollandois (French, born ca. 1630)

C. Jacquinet (d. 1675)

ca. 1650–60 · Ink, paper

Cleared · Public Domain

live
The MetSimilar
Plate Eight from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie by C. Jacquinet, The Metropolitan Museum of Art

Plate Eight from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie

C. Jacquinet (d. 1675)

ca. 1660 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate Five from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie by C. Jacquinet, The Metropolitan Museum of Art

Plate Five from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie

C. Jacquinet (d. 1675)

ca. 1660 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate Nine from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie by C. Jacquinet, The Metropolitan Museum of Art

Plate Nine from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie

C. Jacquinet (d. 1675)

ca. 1660 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate One from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie by C. Jacquinet, The Metropolitan Museum of Art

Plate One from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie

C. Jacquinet (d. 1675)

ca. 1660 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate Seven from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie by C. Jacquinet, The Metropolitan Museum of Art

Plate Seven from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie

C. Jacquinet (d. 1675)

ca. 1660 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate Six from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie by C. Jacquinet, The Metropolitan Museum of Art

Plate Six from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie

C. Jacquinet (d. 1675)

ca. 1660 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate Ten from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie by C. Jacquinet, The Metropolitan Museum of Art

Plate Ten from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie

C. Jacquinet (d. 1675)

ca. 1660 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate Three from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie by C. Jacquinet, The Metropolitan Museum of Art

Plate Three from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie

C. Jacquinet (d. 1675)

ca. 1660 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate Two from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie by C. Jacquinet, The Metropolitan Museum of Art

Plate Two from Plusieurs Models des plus nouuelles manieres qui sont en usage en l'Art de Arquebuzerie

C. Jacquinet (d. 1675)

ca. 1660 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a door crown molding with a river god at lower right, plate 3 from 'Recherche de plusieurs beaux morceaux d'ornemens pour seruir aux frontons des placarts plaphons et Lembris [Lambris et autres décors]', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

1661 · Etching; third state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two designes for cornices with a man supporting a medallion at top, plate 1 from 'Recherche de plusieurs beaux morceaux d'ornemens pour seruir aux frontons des placarts plaphons et Lembris [Lambris et autres décors]', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

1661 · Etching; third state of four (Préaud)

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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