Plate from "La Voye de Laict ou le Chemin des Heros à l'entrée de Louis XIV en la Cité d'Avignon le 16 Novembre 1622"
Thomas de Berton
1623 · Etching
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
364 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
399 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 70 matching records exist across the two collections.
Results for "Plate from "La Voye de Laict ou le Chemi"12 records
Institutions answered newest-first by record, interleaved
Le Chandelier (The Candlabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1621–35 · Etching; second state of two (Lieure)
Cleared · Public Domain
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Le Serpent (The Serpent), plate 9 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1621–35 · Etching and letterpress; second state of two (Lieure)
Cleared · Public Domain
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Le Serpent (The Serpent), plate 9 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1621–35 · Etching; second state of two (Lieure)
Cleared · Public Domain
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Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1621–35 · Etching and letterpress; second state of two (Lieure)
Cleared · Public Domain
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Le Tombeau (The Tomb), plate 20 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1621–35 · Etching; second state of two (Lieure)
Cleared · Public Domain
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Le Moufti, ou Chef de la Loy, plate 20 from "Recueil de cent estampes représentent differentes nations du Levant"
Jean Baptiste Vanmour (d. 1737)
1714–15 · Etching and engraving
Cleared · Public Domain
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Sultan Ahmed III Crowned in the Mosque at Eyups (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. I, pl. 17B)
William Hogarth (d. 1764)
1723–24 · Etching and engraving
Cleared · Public Domain
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Mantel clock (pendule de chiminée)
Paul Gudin Le Jeune (d. 1755)
clock ca. 1750, figures decorated ca. 1737/38 · Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Voye de Laict ou le Chemin des Heros à l'entrée de Louis XIV en la Cité d'Avignon le 16 Novembre 1622
Thomas de Berton
1623 · Printed book with etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Chandelier (The Candelabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1646 · Etching and letterpress; second state of two (Lieure)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"La femme est obligée d'habiter avec me mari et de le suivre par tout où il jugera à propos de résider," from Impressions de Ménage, published in Le Charivari, August 1, 1843, plate 4
Paul Gavarni [Chevalier] (d. 1866)
August 1, 1843 · Lithograph; second state of three (Armelhault & Bocher)
In copyright
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