
Plate with David Anointed by Samuel
Unrecorded maker
629–630 · Silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
532 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 42 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate with David Anointed by Samuel
Unrecorded maker
629–630 · Silver
Cleared · Public Domain
live
Plate with David Slaying a Lion
Unrecorded maker
629–630 · Silver
Cleared · Public Domain
live
Plate with David's Confrontation with Eliab
Unrecorded maker
629–630 · Silver
Cleared · Public Domain
live
Plate with the Arming of David
Unrecorded maker
629–630 · Silver
Cleared · Public Domain
live
Plate with the Battle of David and Goliath
Unrecorded maker
629–30 · Silver
Cleared · Public Domain
live
Various Cartouche Designs
Francisco Herrera, the Younger ("El Mozo") (d. 1685)
1649 · Engraving
Cleared · Public Domain
live
Portrait of the court dwarf known as el Primo, after Velázquez
Goya (Francisco de Goya y Lucientes) (d. 1828)
1778 · Etching
Cleared · Public Domain
live
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)
Goya (Francisco de Goya y Lucientes) (d. 1828)
1799 · Etching, burnished aquatint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Pablo Esteban O'Higgins (d. 1983)
1947 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Master of Everything (El Dueño de Todo), plate 2 from "Hidden River" (Río Escondido)
Leopoldo Méndez (d. 1969)
1948 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
General Obregon with the Yaquis (El General Obregon con los Yaquis), Plate 86 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Pablo Esteban O'Higgins (d. 1983)
1960 · Offset lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Labourers with no rights (El peon acasillado), Plate 48 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Antonio Morales
1960 · Offset lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.