Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    532 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    297 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 42 matching records exist across the two collections.

Results for "Plate with David's Confrontation with El"12 records

Institutions answered newest-first by record, interleaved

Plate with David Anointed by Samuel by an unrecorded maker, The Metropolitan Museum of Art

Plate with David Anointed by Samuel

Unrecorded maker

629–630 · Silver

Cleared · Public Domain

live
The MetSimilar
Plate with David Slaying a Lion by an unrecorded maker, The Metropolitan Museum of Art

Plate with David Slaying a Lion

Unrecorded maker

629–630 · Silver

Cleared · Public Domain

live
The MetSimilar
Plate with David's Confrontation with Eliab by an unrecorded maker, The Metropolitan Museum of Art

Plate with David's Confrontation with Eliab

Unrecorded maker

629–630 · Silver

Cleared · Public Domain

live
The MetSimilar
Plate with the Arming of David by an unrecorded maker, The Metropolitan Museum of Art

Plate with the Arming of David

Unrecorded maker

629–630 · Silver

Cleared · Public Domain

live
The MetSimilar
Plate with the Battle of David and Goliath by an unrecorded maker, The Metropolitan Museum of Art

Plate with the Battle of David and Goliath

Unrecorded maker

629–30 · Silver

Cleared · Public Domain

live
The MetSimilar
Various Cartouche Designs by Francisco Herrera, the Younger ("El Mozo"), The Metropolitan Museum of Art

Various Cartouche Designs

Francisco Herrera, the Younger ("El Mozo") (d. 1685)

1649 · Engraving

Cleared · Public Domain

live
The MetSimilar
Portrait of the court dwarf known as el Primo, after Velázquez by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Portrait of the court dwarf known as el Primo, after Velázquez

Goya (Francisco de Goya y Lucientes) (d. 1828)

1778 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, burnished aquatint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 11: striking workers in June 1906 protesting for equal rights from their American employees, the mining company Green Consolidated, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)

Pablo Esteban O'Higgins (d. 1983)

1947 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Master of Everything (El Dueño de Todo), plate 2 from "Hidden River" (Río Escondido)

Leopoldo Méndez (d. 1969)

1948 · Linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

General Obregon with the Yaquis (El General Obregon con los Yaquis), Plate 86 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)

Pablo Esteban O'Higgins (d. 1983)

1960 · Offset lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Labourers with no rights (El peon acasillado), Plate 48 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)

Antonio Morales

1960 · Offset lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.