Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    156 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    284 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Plate with Paris Killing Achilles and ar"7 records

Institutions answered newest-first by record, interleaved

Plate with Paris Killing Achilles and arms of the Calini family by Nicolo da Gabriele Sbraghe, The Metropolitan Museum of Art

Plate with Paris Killing Achilles and arms of the Calini family

Nicolo da Gabriele Sbraghe (d. 1538)

ca. 1525 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Pelias Killed by his Daughters (Dont par pitié elles prennent courage son sang vider par violent outrage...), from "Jason and the Golden Fleece" by René Boyvin, The Metropolitan Museum of Art

Pelias Killed by his Daughters (Dont par pitié elles prennent courage son sang vider par violent outrage...), from "Jason and the Golden Fleece"

René Boyvin (d. 1598)

1563 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pelias Killed by his Daughters (Dont par pitié elles prennent courage son sang vider par violent outrage...), from "Jason and the Golden Fleece" by René Boyvin, The Metropolitan Museum of Art

Pelias Killed by his Daughters (Dont par pitié elles prennent courage son sang vider par violent outrage...), from "Jason and the Golden Fleece"

René Boyvin (d. 1598)

1563 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Sacrifice of Iphigenia by Pietro Testa, The Metropolitan Museum of Art

The Sacrifice of Iphigenia

Pietro Testa (d. 1650)

ca. 1640–42 · Etching with drypoint

Cleared · Public Domain

live
The MetSimilar
The suicide of Ajax by Giovanni Battista Foggini, The Metropolitan Museum of Art

The suicide of Ajax

Giovanni Battista Foggini (d. 1725)

ca. 1690 · Bronze

Cleared · Public Domain

live
The MetSimilar
Pair-case watch with alarm by Adam Roumeau, The Metropolitan Museum of Art

Pair-case watch with alarm

Adam Roumeau (d. 1698)

probably ca. 1695 · Case and dial: silver with blued-steel hand; movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Nécessaire with watch by an unrecorded maker, The Metropolitan Museum of Art

Nécessaire with watch

Unrecorded maker

probably ca. 1745–50 · Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.