
Plate with Wife Beating Husband
Unrecorded maker
ca. 1480 · Copper alloy, wrought
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
245 ms. The Metropolitan Museum of Art, Collection API (Open Access)
8 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 30 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate with Wife Beating Husband
Unrecorded maker
ca. 1480 · Copper alloy, wrought
Cleared · Public Domain
live
Potiphar's Wife Accusing Joseph, from "The Story of Joseph"
Heinrich Aldegrever (d. 1561)
1532 · Engraving; second state of two
Cleared · Public Domain
live
Potiphar's Wife Accusing Joseph, from The Story of Joseph
Heinrich Aldegrever (d. 1561)
1532 · Engraving; second state of two
Cleared · Public Domain
live
The English Jesuit
Matthias Darly (d. 1780)
October 7, 1771 · Etching
Cleared · Public Domain
live
By Candlelight
Julian Alden Weir (d. 1919)
ca. 1885–93 · Drypoint; only state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Husband Dressed as a Woman Kneeling before His Wife, Who is Dressed as a Man, from Proverbi Figurati, plate 9
Giuseppe Maria Mitelli (d. 1718)
1678 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Basrelief Antique representant un Mariage; l'epoux et l'epouse se donnent la main en signe de la foy conjugale; Junon au milieu les unit, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragmens d'un Basrelief antique representant un Mariage, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blue Monday
Currier & Ives (d. 1907)
1857–1872 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"LAR" Armchair
Charles Eames (d. 1978)
1949 · Glass fiber–reinforced polyester, zinc-plated steel
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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