
Death on the Battlefield, from 'The five deaths' (Les cinq Morts)
Stefano della Bella (d. 1664)
ca. 1650–64 · Etching; proof state retouched with graphite and pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
253 ms. The Metropolitan Museum of Art, Collection API (Open Access)
368 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 63 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Death on the Battlefield, from 'The five deaths' (Les cinq Morts)
Stefano della Bella (d. 1664)
ca. 1650–64 · Etching; proof state retouched with graphite and pen and brown ink
Cleared · Public Domain
live
The Festival of Psyche, with Bacchus from a set of Mythological Subjects after Giulio Romano
Giulio Romano (d. 1546)
designed 1684–86, woven 1689–92 · Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.)
Cleared · Public Domain
live
The Festival of Psyche, with Mercury from a set of Mythological Subjects after Giulio Romano
Giulio Romano (d. 1546)
designed 1684–86, woven 1689–92 · Wool, silk, metal thread (20-26 warps per inch, 8-12 per cm.)
Cleared · Public Domain
live
Sultan Ahmed III Crowned in the Mosque at Eyups (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. I, pl. 17B)
William Hogarth (d. 1764)
1723–24 · Etching and engraving
Cleared · Public Domain
live
Plate with scene from "Les Oies de Frère Philippe"
Nicolas Lancret (d. 1743)
ca. 1745 · Porcelain
Cleared · Public Domain
live
Watch and case
John Ellicott (d. 1772)
ca. 1760 · Gold, enamel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for fireplace ornamented with a depictoin of Scylla and Glaucus [?] at upper left and a mythological scene at upper right, plate 2 from 'Livre de Cheminées Executées dans les Apartemens de Versailles', bound in "Oeuvres", Vol. I
Pierre Le Pautre (d. 1744)
1670–99 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Centauresse jouant de la lire et des cimbales avec un jeune homme, d'aprés les peintures antiques trouvées a Herculanum, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of an excavation, with an arch at center, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Merveilleuse: Chapeau de paille d’Italie, Par-dessus à la Chinoise
Horace Vernet (d. 1863)
1814 · Hand colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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