Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    252 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    326 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30 matching records exist across the two collections.

Results for "Plates 27 and 28, from "Trattato delle P"12 records

Institutions answered newest-first by record, interleaved

Venus Marina by Girolamo Campagna, The Metropolitan Museum of Art

Venus Marina

Girolamo Campagna (d. 1625)

late 16th century–early 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
New Modelbüch by Andreas Bretschneider, The Metropolitan Museum of Art

New Modelbüch

Andreas Bretschneider (d. 1645)

1615 · Hand colored etching, woodcut

Cleared · Public Domain

live
The MetSimilar
Plates 27 and 28, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land) by Jacques Callot, The Metropolitan Museum of Art

Plates 27 and 28, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)

Jacques Callot (d. 1635)

1620 · Etching and engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Mantel clock ("Pendule Uranie") by Jean-André Lepaute, The Metropolitan Museum of Art

Mantel clock ("Pendule Uranie")

Jean-André Lepaute (d. 1789)

ca. 1764–70 · Case: patinated bronze and gilded bronze; Dial: white enamel; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1

Rudolph Ackermann, London (d. 1832)

January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
Marble-top table by Theophil Hansen, The Metropolitan Museum of Art

Marble-top table

Theophil Hansen (d. 1891)

ca. 1855–65 · Belgian black marble and semi-precious stones; painted pine, ebonized fruitwood; brass, gilt bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plates 27 and 28, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plants & Images of the Sacred Buildings of the Holy Land)

Jacques Callot (d. 1635)

1620 · Etching and engraving; first state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 4

Rudolph Ackermann, London (d. 1832)

July–December 1810 · Illustrations: Hand-colored etching, engraving, stipple, woodcut and textile samples

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Stanfield's Coast Scenery: A Series of Views in the British Channel, from "Original Drawings Taken Expresssly for the Work"

Clarkson Stanfield (d. 1867)

1836 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hunter-case pocket watch

Firm of Vacheron and Constantin (d. 9999)

ca. 1844 · Case: gold; Dial: white enamel with gold hands; Movement: brass and steel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Mason Jackson (d. 1903)

1865–70 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.