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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    228 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    388 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 110 matching records exist across the two collections.

Results for "Play Between 6 and 12--The Bright Hours"12 records

Institutions answered newest-first by record, interleaved

Triton and Nereid by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Triton and Nereid

Andrea Briosco, called Riccio (d. 1532)

after 1532–before ca. 1550 · Bronze

Cleared · Public Domain

live
The MetSimilar
Astronomical table clock by Jeremias Metzger, The Metropolitan Museum of Art

Astronomical table clock

Jeremias Metzger (d. 1602)

1568 · Case and dials: gilded brass; Movement: iron

Cleared · Public Domain

live
The MetSimilar
Mercury and Cupid by Francesco Fanelli, The Metropolitan Museum of Art

Mercury and Cupid

Francesco Fanelli (d. 1665)

late 1630s · Bronze

Cleared · Public Domain

live
The MetSimilar
Watch by Jean Rousseau the Younger, The Metropolitan Museum of Art

Watch

Jean Rousseau the Younger (d. 1684)

ca. 1650–60 · Case: rock crystal mounted in gilded brass; Dial: silver and black enamel with gilded-brass hand; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Watch by Nicolaus Rugendas the Younger, The Metropolitan Museum of Art

Watch

Nicolaus Rugendas the Younger (d. 1695)

ca. 1670 · Case and dial: painted and raised enamel on gold, set with gemstones (rubies), with a single hand; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Longcase clock with calendar and alarm by Ahasuerus II Fromanteel, The Metropolitan Museum of Art

Longcase clock with calendar and alarm

Ahasuerus II Fromanteel (d. 1703)

ca. 1690–94 · Case: walnut and rosewood veneer on oak, and partly gilded limewood; Dial: gilded and silvered brass; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Longcase clock with calendar by Daniel Delander, The Metropolitan Museum of Art

Longcase clock with calendar

Daniel Delander (d. 1733)

probably ca. 1720 · Case: oak veneered with burl walnut and walnut-herringbone inlay; Dial: gilded and silvered brass; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Repeating watch by Francis Perigal, The Metropolitan Museum of Art

Repeating watch

Francis Perigal (d. 1767)

probably ca. 1770 · Case: partly enameled gold; Dial: white enamel with black numerals and silver hands set with diamonds; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Longcase clock by Hermann Achenbach, The Metropolitan Museum of Art

Longcase clock

Hermann Achenbach (d. 1825)

ca. 1774–75 · Case: oak veneered with maple, burl woods, holly, and hornbeam (all partly stained), and other woods; mother-of-pearl; gilded bronze; and brass; Dial: partly gilded and partly silvered brass and enameled and painted copper; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Mantel clock with musical movement by Jean-Baptiste-André Furet, The Metropolitan Museum of Art

Mantel clock with musical movement

Jean-Baptiste-André Furet (d. 1807)

ca. 1784 · Case: gilded and lacquered bronze and marble; Movement (in bust): brass and steel with enameled hour and minute chapter rings (in head); Miniature organ with pipes and bellows (in base): brass, steel, and leather

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

History of the Westminster Election, Containing Every Material Occurence, From Its Commencement on the First of April, to the Final Close of the Poll, on the 17th of May

Thomas Rowlandson (d. 1827)

1785 · Illustrations: etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Play Between 6 and 12--The Bright Hours

Edward McKnight Kauffer (d. 1954)

1930; printed 1931 · Lithograph

In copyright

live
The MetSimilar

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