
Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5).
Sangallo family (d. 1545)
1530–45 · Pen and dark brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
447 ms. The Metropolitan Museum of Art, Collection API (Open Access)
471 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 165 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5).
Sangallo family (d. 1545)
1530–45 · Pen and dark brown ink
Cleared · Public Domain
live
Allegorical Composition: Music and Justice with the Spinola Arms
Giovanni Battista Gaulli (Il Baciccio) (d. 1709)
1639–1709 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on rose-washed paper
Cleared · Public Domain
live
Pocket set of drawing instruments
Peter Dollond (d. 1820)
ca. 1755–60 · Case: shagreen with silver mounts; Instruments: brass, steel, ivory
Cleared · Public Domain
live
Pochette
Unrecorded maker
18th century · wood, various materials
Cleared · Public Domain
live
Portrait of a man in profile
Cornelius Varley (d. 1873)
19th century · Graphite
Cleared · Public Domain
live
Spinet and Zither, from the Musical Instruments series (N121) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco
W. Duke, Sons & Co. (d. 1920)
1888 · Commercial color lithograph
Cleared · Public Domain
live
Bowed Mandolin
Joseph Collingwood (d. 1928)
ca. 1900 · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pochette
Unrecorded maker
19th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pochette
Unrecorded maker
19th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Here, This Is Stieglitz Here
Francis Picabia (d. 1953)
1915 · Ink, graphite, and pasted and printed papers on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Notebook No. 26 (Study of Violins and Musical Instruments)
Pablo Picasso (d. 1973)
ca. 1913–16 · Ink and graphite on perforated paper sheets bound in a notebook
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.