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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    413 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 34 matching records exist across the two collections.

Results for "Point Judith, Rhode Island"12 records

Institutions answered newest-first by record, interleaved

Gold roundel with stamped designs by an unrecorded maker, The Metropolitan Museum of Art

Gold roundel with stamped designs

Unrecorded maker

ca. 1600–1050 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Point Judith, Rhode Island by Martin Johnson Heade, The Cleveland Museum of Art

Point Judith, Rhode Island

Martin Johnson Heade (d. 1904)

1867–68 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold roundel with stamped designs by an unrecorded maker, The Metropolitan Museum of Art

Gold roundel with stamped designs

Unrecorded maker

ca. 1600–1050 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Gold roundel with stamped designs by an unrecorded maker, The Metropolitan Museum of Art

Gold roundel with stamped designs

Unrecorded maker

ca. 1600–1050 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Breastplate with applied stop-rib by an unrecorded maker, The Metropolitan Museum of Art

Breastplate with applied stop-rib

Unrecorded maker

ca. 1420–40 · Steel

Cleared · Public Domain

live
The MetSimilar
Eliza Champlin by an unrecorded maker, The Metropolitan Museum of Art

Eliza Champlin

Unrecorded maker

ca. 1785 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Drop-leaf Dining Table by an unrecorded maker, The Metropolitan Museum of Art

Drop-leaf Dining Table

Unrecorded maker

1740–90 · Mahogany, birch, white pine, chestnut

Cleared · Public Domain

live
The MetSimilar
Sampler by Margaret (Peggy) Ingraham, The Metropolitan Museum of Art

Sampler

Margaret (Peggy) Ingraham (d. 1818)

ca. 1792 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Cup Plate by Boston & Sandwich Glass Company, The Metropolitan Museum of Art

Cup Plate

Boston & Sandwich Glass Company (d. 1888)

ca. 1835 · Lacy pressed glass

Cleared · Public Domain

live
The MetSimilar
Cup Plate by an unrecorded maker, The Metropolitan Museum of Art

Cup Plate

Unrecorded maker

ca. 1835 · Lacy pressed glass

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Genius of Immortality

Isidore Konti (d. 1938)

ca. 1910, cast probably 1912 · Bronze

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Man's Face, Point Judith, Narragansett Pier, Rhode Island

Unrecorded maker

1900s–1930s · Photomechanical print

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.