Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1241 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    297 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Pollard Willow"12 records

Institutions answered newest-first by record, interleaved

Saint Jerome by the Pollard Willow by Albrecht Dürer, The Metropolitan Museum of Art

Saint Jerome by the Pollard Willow

Albrecht Dürer (d. 1528)

1512 · Drypoint; second state of three

Cleared · Public Domain

live
The MetSimilar
Pollard Willow by Pierre Jean Boquet, The Cleveland Museum of Art

Pollard Willow

Pierre Jean Boquet (d. 1817)

after 1804 · Painting, oil on paper, mounted on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saint Jerome by the Pollard Willow by Albrecht Dürer, The Metropolitan Museum of Art

Saint Jerome by the Pollard Willow

Albrecht Dürer (d. 1528)

1512 · Drypoint

Cleared · Public Domain

live
The MetSimilar
St. Jerome Seated near a Pollard Willow by Albrecht Dürer, The Cleveland Museum of Art

St. Jerome Seated near a Pollard Willow

Albrecht Dürer (d. 1528)

1512 · Print, drypoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Saint Jerome by the Pollard Willow by Albrecht Dürer, The Metropolitan Museum of Art

Saint Jerome by the Pollard Willow

Albrecht Dürer (d. 1528)

1512 · Drypoint

Cleared · Public Domain

live
The MetSimilar
St. Jerome beside a Pollard Willow by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

St. Jerome beside a Pollard Willow

Rembrandt (Rembrandt van Rijn) (d. 1669)

1648 · Etching and drypoint; fourth of four states

Cleared · Public Domain

live
The MetSimilar
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect by Abraham Bloemaert, The Metropolitan Museum of Art

Studies of Two Pollard Willows; Verso: Wide Landscape Prospect

Abraham Bloemaert (d. 1651)

late 16th–mid-17th century · Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Landscape with Willow Trees by Charles Jacque, The Metropolitan Museum of Art

Landscape with Willow Trees

Charles Jacque (d. 1894)

1845 · Etching

Cleared · Public Domain

live
The MetSimilar
Road in Etten by Vincent van Gogh, The Metropolitan Museum of Art

Road in Etten

Vincent van Gogh (d. 1890)

1881 · Chalk, pencil, pastel, watercolor. Underdrawing in pen and brown ink.

Cleared · Public Domain

live
The MetSimilar
Willow trees at a brook (Weidenbach near Neuostra) by Emilie Mediz-Pelikan, The Metropolitan Museum of Art

Willow trees at a brook (Weidenbach near Neuostra)

Emilie Mediz-Pelikan (d. 1908)

1895 · Colored wax crayon, conté crayon, watercolor, graphite, and gum arabic on machine-made wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pollard-Willow, Weeping-Willow, Pollard Weeping-Willow and Yew (from The Shape, Skeleton and Foliage of Thirty two Species of Trees. For the Use of Painting and Drawing)

Alexander Cozens (d. 1786)

1771 · Etching on gray paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

On the Y, Amsterdam

Sir Muirhead Bone (d. 1953)

1914 · Drypoint; printed with plate tone, especially along bottom of image

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.