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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    419 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 93 matching records exist across the two collections.

Results for "Polyhymnia, from "The Muses and the Thre"11 records

Institutions answered newest-first by record, interleaved

Athena, from "The Muses and the Three Goddesses" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Athena, from "The Muses and the Three Goddesses"

Anonymous, Italian, 16th century (d. 1600)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Calliope, from "The Muses and the Three Goddesses" by Anonymous, French-Italian, 17th century, The Metropolitan Museum of Art

Calliope, from "The Muses and the Three Goddesses"

Anonymous, French-Italian, 17th century (d. 1700)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Clio, from "The Muses and the Three Goddesses" by Anonymous, French-Italian, 17th century, The Metropolitan Museum of Art

Clio, from "The Muses and the Three Goddesses"

Anonymous, French-Italian, 17th century (d. 1700)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Melpomene, from "The Muses and the Three Goddesses" by Anonymous, French-Italian, 17th century, The Metropolitan Museum of Art

Melpomene, from "The Muses and the Three Goddesses"

Anonymous, French-Italian, 17th century (d. 1700)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Polyhymnia, from "The Muses and the Three Great Goddesses" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Polyhymnia, from "The Muses and the Three Great Goddesses"

Anonymous, Italian, 16th century (d. 1600)

ca. 1540–45 · Engraving

Cleared · Public Domain

live
The MetSimilar
Polyhymnia, from "Twelve Muses and Goddesses" by Léon Davent, The Metropolitan Museum of Art

Polyhymnia, from "Twelve Muses and Goddesses"

Léon Davent (d. 1556)

ca. 1540–45 · Etching

Cleared · Public Domain

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The MetSimilar
Thalia, from "The Muses and the Three Great Goddesses" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Thalia, from "The Muses and the Three Great Goddesses"

Anonymous, Italian, 16th century (d. 1600)

ca. 1540–45 · Engraving

Cleared · Public Domain

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The MetSimilar
Juno, from "The Muses and the Three Great Goddesses" by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Juno, from "The Muses and the Three Great Goddesses"

Anonymous, Italian, 16th century (d. 1600)

1540–56 · Engraving

Cleared · Public Domain

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The MetSimilar
Two Muses by Charles Le Brun, The Metropolitan Museum of Art

Two Muses

Charles Le Brun (d. 1690)

17th century · Red chalk, heightened with white, on beige paper

Cleared · Public Domain

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The MetSimilar
Apollo and the Muses on Parnassus by Raphael Morghen, The Metropolitan Museum of Art

Apollo and the Muses on Parnassus

Raphael Morghen (d. 1833)

1784 · Engraving

Cleared · Public Domain

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The MetSimilar
The Muses Euterpe, Polyhymnia, Calliope, Clio, and Terpsichore (recto); Sketch of a Sleeping Child (verso) by Andrea Appiani, The Metropolitan Museum of Art

The Muses Euterpe, Polyhymnia, Calliope, Clio, and Terpsichore (recto); Sketch of a Sleeping Child (verso)

Andrea Appiani (d. 1817)

1811 · Black chalk (recto); black chalk (verso); squared in red chalk

Cleared · Public Domain

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The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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