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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    421 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 98 matching records exist across the two collections.

Results for "Polyphemus and Galatea"12 records

Institutions answered newest-first by record, interleaved

Wall painting: Perseus and Andromeda in landscape, from the imperial villa at Boscotrecase by an unrecorded maker, The Metropolitan Museum of Art

Wall painting: Perseus and Andromeda in landscape, from the imperial villa at Boscotrecase

Unrecorded maker

last decade of the 1st century BCE · Fresco

Cleared · Public Domain

live
The MetSimilar
Ewer with Triumph of Galatea by Massimiliano Soldani, The Cleveland Museum of Art

Ewer with Triumph of Galatea

Massimiliano Soldani (d. 1740)

c. 1700 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Wall painting: Polyphemus and Galatea in a landscape, from the imperial villa at Boscotrecase by an unrecorded maker, The Metropolitan Museum of Art

Wall painting: Polyphemus and Galatea in a landscape, from the imperial villa at Boscotrecase

Unrecorded maker

last decade of the 1st century BCE · Fresco

Cleared · Public Domain

live
The MetSimilar
Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses' by Antonio Tempesta, The Metropolitan Museum of Art

Plate 128: Galatea and Acis Embracing, while Polyphemus Sings for Galatea (Acidis, Galateaeq, furtivi concubitus), from Ovid's 'Metamorphoses'

Antonio Tempesta (d. 1630)

1606 · Etching

Cleared · Public Domain

live
The MetSimilar
Harpsichord by Michele Todini, The Metropolitan Museum of Art

Harpsichord

Michele Todini (d. 1690)

ca. 1670 · Wood, gilt, ebony, ivory, parchment

Cleared · Public Domain

live
The MetSimilar
Pygmalion and Galatea by Anonymous, Spanish, School of Seville, 17th century, The Metropolitan Museum of Art

Pygmalion and Galatea

Anonymous, Spanish, School of Seville, 17th century (d. 1700)

17th century · Pen and light brown ink with brush and brown wash over black chalk underdrawing. On off-white paper

Cleared · Public Domain

live
The MetSimilar
Acis and Galatea by Francesco Bartolozzi, The Metropolitan Museum of Art

Acis and Galatea

Francesco Bartolozzi (d. 1815)

1787 · Engraving and etching; third state of three

Cleared · Public Domain

live
The MetSimilar
Polyphemus and Galatea by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Polyphemus and Galatea

Anonymous, Italian, 17th century (d. 1700)

18th century · Black chalk, highlighted with white chalk, on blue paper faded to gray

Cleared · Public Domain

live
The MetSimilar
Cup with the Triumph of Galatea by Charles-Ludovic Crétineau-Joly, The Metropolitan Museum of Art

Cup with the Triumph of Galatea

Charles-Ludovic Crétineau-Joly

1863 · Painted enamel on copper

Cleared · Public Domain

live
The MetSimilar
Pygmalion and Galatea by Jean-Léon Gérôme, The Metropolitan Museum of Art

Pygmalion and Galatea

Jean-Léon Gérôme (d. 1904)

ca. 1890 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Galatea by Max Klinger, The Metropolitan Museum of Art

Galatea

Max Klinger (d. 1920)

1906 · Cast silver; marble

Cleared · Public Domain

live
The MetSimilar
Pygmalion and Galatea by Auguste Rodin, The Metropolitan Museum of Art

Pygmalion and Galatea

Auguste Rodin (d. 1917)

modeled 1889, carved ca. 1908–9 · Marble

Cleared · Public Domain

live
The MetSimilar

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