
Pedestal Bowl
Recuay artist(s)
200–700 CE · Ceramic, pigment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
380 ms. The Metropolitan Museum of Art, Collection API (Open Access)
526 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Pedestal Bowl
Recuay artist(s)
200–700 CE · Ceramic, pigment
Cleared · Public Domain
live
Perspective view of the Illuminations on the Pont Notre Dame, in celebration of the recovery of the health of Louis XIV, January 30, 1687
Anonymous
1750 (?) · Engraving
Cleared · Public Domain
live
Ponte San Rocco and Waterfalls, Tivoli
François Marius Granet (d. 1849)
ca. 1810–20 · Oil on canvas
Cleared · Public Domain
live
Pont de l'ardoise pris en revenant de la cascade des Parisiens, Luchon
Joseph Vigier (d. 1862)
1853 · Salted paper print from paper negative
Cleared · Public Domain
live
Pont en Royans
Edouard Baldus (d. 1889)
ca. 1859 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vuë de l'ancien Pont de Rimini bâti par les Empereurs Auguste et Tibere, from Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie
Dominico Montagu
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tarablous. (Tripoli), Vue de Nahar Kadischa, prise du pont neuf Djisr-el-Djded.
Louis de Clercq (d. 1901)
1859 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tarablous. (Tripoli), Vue de Nahar Kadischa, prise du pont vieux Djisr-el-Atik.
Louis de Clercq (d. 1901)
1859 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tripoli, Vue du Pont Neuf
Louis de Clercq (d. 1901)
1859 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Séville. Vue du Pont de Triana sur le Guadalquivir
Louis de Clercq (d. 1901)
1860 · Albumen silver print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Castles in Spain (Chateaux en Espagne)
Alexander Harrison (d. 1930)
by 1882 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La carte surrealiste : première série
Georges Hugnet (d. 1974)
1937
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.